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‘El Rey Bravo’: Tito Puente’s Latin Jazz Masterpiece
April 20, 2024
‘Oh! Darling’: The Story Behind The Beatles’ Song
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‘Mezzanine’: How Massive Attack Took Things To A Whole New Level
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Best Reggae Producers: 10 Pioneers Of Jamaica’s Musical Legacy
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‘Ain’t No Mountain High Enough’: Marvin And Tammi’s Towering Pop Classic
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‘Flashpoint’: The Rolling Stones Rock The World With ‘Undiminished Soul’
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Best Lionel Hampton Songs: 20 Jazz Essentials
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Elton John Celebrates 50 Years Of ‘Caribou’ With Vinyl Reissue, New Live Video
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Pearl Jam Share New Album ‘Dark Matter’
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Benny The Butcher Announces ‘Everybody Can’t Go’ Tour
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Ringo Starr And His All Starr Band Announce Fall Tour Dates
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Taylor Swift Shares New Double Album ‘The Tortured Poets Department: The Anthology’
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‘L’Homme À Tête De Chou’: Serge Gainsbourg’s Head-Twisting Noir
‘Brainwashed’: George Harrison’s Poignant Final Album
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‘The Lamb Lies Down On Broadway’: Genesis’ Finest Hour?
‘Reload’: How Metallica Outgrew The Limitations Of Thrash
‘Day & Age’: How The Killers’ Diversity Defined A Decade
‘Radio’: LL Cool J Turns Up the Volume and Becomes a Star
‘The Fall’: How Norah Jones Rose To New Artistic Heights
‘Setting Sons’: Ushering In A New Dawn For The Jam
‘2001’: Why Dr. Dre’s Second Album Remains A Timeless Classic
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‘Licensed To Ill’: How Beastie Boys Killed It In The 80s
When John Mayall Reached ‘The Turning Point’
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