‘Blondie: Against All Odds’ was written and designed alongside the iconic band’s co-founders Debbie Harry and Chris Stein.
The trio made some of the most distinctive pop music of the late 70s and early 80s.
Costello closes out the year by bidding, ‘Farwell, OK/You’ll be on your way.’
With ‘Love Angel Music Baby’, Gwen Stefani eschewed the usual confessional singer-songwriter solo statement and doubled down on unabashed pop.
The most adventurous track of the ‘Armed Forces’ album, ‘Green Shirt’ delivered sensory overload and captured the album’s paranoid tone.
Hailed as the perfect pop-rock album, ‘Parallel Lines’ made Blondie global icons, influencing successive generations of New York bands.
Introduced by the single ‘Johnny and Mary,' Palmer's sixth solo album had a rockier, more new wave feel than what had gone before.
Guided by Chris Difford and Glenn Tilbrook, the best Squeeze songs amoount to one of the most covetable catalogues in British pop music.
With their sophomore album, ‘Wild Planet’, post-punk trailblazers The B-52’s proved they were more than a novelty nostalgia act.
Few songwriters have covered as much ground as this shape-shifting artist has in the past four decades, as the best Elvis Costello songs show.
The Suffolk singer-songwriter has notched successful singles like "I Won't Let the Sun Go Down on Me" and "Wouldn't It Be Good."
Guitarist and songwriter Charlotte Caffey talks getting candid on-screen and her role in the revelatory new Showtime documentary, ‘The Go-Go’s’.
The Go-Go’s channelled their LA punk roots into an impeccable new wave pop classic with their 1981 debut album, ‘Beauty and the Beat’.
Alison Ellwood’s “The Go-Go’s” will air on Showtime beginning 1 August. The band, meanwhile, have cancelled their summer tour dates in light of COVID-19.
Morrissey, Bauhaus, Blondie, Echo and the Bunnymen and Devo are set to headline a new post-punk/new wave festival in Southern California called Cruel World.