
What began as a rock’n’roll tribute to a fallen friend ended up being the sleeper start of the Seattle sound explosion heard around the world.

Selena not only broke down barriers of genre, language, and identity, she transcended generational and geographical borders.

In 1992, the Jamaican duo recorded one of dancehall’s most enduring anthems with Sly & Robbie. This is the story of how it got made.

The band’s 1991 single joins ‘Smells Like Teen Spirit’ in the illustrious category.

The rock supergroup’s 2005 album will be available for the first time as liquid-filled vinyl.

Produced by Esmond Edwards and arranged and conducted by Don Sebesky, the album places Tjader within a richly orchestrated studio setting.

The piece is a nearly 40-minute large-ensemble performance marking Coltrane’s decisive embrace of the avant-garde.

The reissue is part of Blue Note’s ongoing Tone Poet vinyl series.

The live album was recorded in Hermosa Beach in 1962.









The 1975 album was the record that paved the way for the prog frontiersman’s Top 10 success with ‘L.’

His final album for Stax Records, ‘Crown Prince Of Dance’ proved that Rufus Thomas could still claim the throne when it came to floor-filling soul music.

The setting for the live LP was Toronto’s Massey Hall, where Lightfoot’s prodigious talent had long been admired and celebrated.

When the idiosyncratic Chuck Berry took on the blues, he did it his own way – as an intriguing 1983 compilation proves.

Epic yet intensely personal, it remains among the most defining albums of the mid-90s.

Recorded in October 1963, ‘Song For My Father,’ from Blue Note’s long serving star pianist Horace Silver, sounds as good today as the day it was recorded.


