Featuring John Lennon, Paul McCartney and George Harrison, Ringo Starr’s third album was hailed as 'the first to actually invoke The Beatles’ aura.'
Party starter, lothario, and chart topper. These are the best Nelly songs, a celebration of the St. Louis rapper.
Widely regarded as one of new wave’s key albums, ‘Outlandos D’Amour’ introduced The Police as virtuosos with enough aggression to appease the punks.
The 27-track set adds vault recordings, alternate takes and remixes, alongside two new colored-vinyl editions.
The remix adds The Kid LAROI to a song from nate sib’s debut album, ‘Reborn.’
The song appears on the forthcoming soundtrack to Netflix’s ‘Heartland,’ starring Jessica Chastain.
The new version pairs Lusk’s lead on the second verse with Smith’s vocal harmonies.
The New Orleans native recorded two holiday standards with the Preservation Hall Jazz Band.
The South African songwriter’s five-song collection moves between acoustic pop and alternative sounds.
The track comes from the rapper’s debut album ‘Get Rich Or Die Tryin’.’
Thanks to a forensic attention to detail, sound engineer Rudy Van Gelder’s studio was instrumental in creating the legendary Blue Note sound.
The 50th Anniversary 2LP black glitter anniversary edition of ‘One Size Fits All’ boasts a brand-new analog cut of the album, a bonus LP of highlights from the box set, and the 50th anniversary edition booklet.
Remembering the vocal stylist and songwriter’s second solo sojourn.
Plundering history while looking to the future, the album found The Chemical Brothers launching more electronic battle weapons.
A feast of beautifully crafted, airwave-friendly pop, Crowded House’s ‘Woodface’ featured some of the band’s most melodic, infectious tunes to date.
A quintessential example of hard bop, ‘Cool Struttin’’ found pianist Sonny Clark putting Blue Note’s pioneering modern jazz on the map.
The classically trained jazz pianist has always straddled the two worlds of jazz and hip-hop, most audibly on pathfinding albums the likes of ‘Black Radio.’
By the late 1970s, Palmer’s smooth, sophisticated and brilliantly-produced blue-eyed soul-rock was becoming more and more established.
