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‘How Big, How Blue, How Beautiful’ is about as stripped down as Florence + The Machine can get, and its songs are among the band’s most hopeful.
With ‘Don’t Shoot Me I’m Only The Piano Player’, Elton John took a giant step towards creative independence, topping the charts in both the US and the UK.
The Cleveland rock heroes made the singles scene with a track from 'Thirds.'
Ricky's second and final US No. 1 single was literally retrieved from the garbage can, and had connections to Sam Cooke and Glen Campbell.
Treading a fine line between majestic camp and all-out cheese, ‘Gimme! Gimme! Gimme!’ keeps pop titans like Cher and Madonna coming back time and again.
‘Efil4zaggin’ was more than a full stop to NWA's career. It bridged hip-hop's early golden age and the sound that would dominate the West Coast in the 90s.
Covering sessions spanning several years, T-Bone Walker’s Complete Imperial Recordings witness a precursor to Jimi Hendrix at the peak of his skills.
In 1977, the group saluted what is now the longest-running TV football show in the world.
Remembering the English singer-writer-guitarist's 1977 follow-up to 'Frampton Comes Alive!'.
He wasn't an instant top UK ten artist, but this 1959 single was an important step on that road.
Selections from the songbook of one of soul music's great vocal stylists.
With his debut album for Blue Note, ‘Introducing’, Kenny Burrell announced himself as an exciting new fretboard master in the world of jazz guitar.
As ‘The Great Adventures Of Slick Rick’ celebrates its 30th anniversary, The Ruler talks about taking his environment “and turning it into a story”.
Recorded in one mid-60s session, Dexter Gordon’s ‘Clubhouse’ was shelved for over a decade before finally seeing the release it deserved.
The album topped the charts on both sides of the Atlantic and led to a worldwide tour that went on for a year.
