Antonio Vivaldi’s (4 March 1678 – 28 July 1741) influence on the development of Baroque music was immense. He ignited transformations in music for the church, the opera house and the concert hall. But his most important achievement was in his music for strings. He introduced a range of new styles and techniques to string playing and consolidated one of its most important genres, the concerto. Vivaldi’s concertos became a model for his contemporaries, and the form was soon one of the most important in eighteenth century Europe. He trained for the priesthood and was ordained in 1703. In the same year as his ordination he was appointed violin master at the Ospedale della Pietà, a Venetian convent for orphaned or illegitimate girls. He taught the violin there, organised services with music, gave concerts, and composed most of his major works in this position over three decades. Read our selection of the best Vivaldi works including the world’s most popular and recognised pieces of Baroque music The Four Seasons.
Best Vivaldi Works: 10 Essential Pieces By The Great Composer
The Four Seasons
It wouldn’t be an exaggeration to say that Vivaldi’s The Four Seasons, a set of four violin concertos, are the world’s most popular and recognised pieces of Baroque music. The four violin concertos broke new ground with their programmatic depiction of the changing seasons and their technical innovations.
Vivaldi composed this Gloria in Venice in 1715 for the choir and orchestra of the Ospedale della Pietà, an orphanage for girls. The wonderfully sunny nature of the Gloria, with its distinctive melodies and rhythms, is characteristic of all of Vivaldi’s music, giving an immediate and universal appeal to one of Vivaldi’s best works. Incredibly, following the first performance of this resplendent Baroque favourite, it merely gathered dust in a pile of the composer’s manuscripts until being rediscovered in the 1920s.
In contrast to Vivaldi’s predominately bright and breezy style his 1727 setting of the Stabat Mater, as befits the soulful nature of the text, achieves a rare depth of feeling and powerful sense of melancholy. The first movement of Vivaldi’s Stabat Mater was used in the soundtrack of the movie The Talented Mr Ripley.
Most celebrated of Vivaldi’s operas involving a series of misunderstandings of identity, resulting in a drowning, near-assassination and near-suicide based at the time of the Olympic Games. L’Olimpiade, composed in 1734 and set in Ancient Greece, is about two friends both in love with women they’re forbidden from meeting and is one of Vivaldi’s best works.
Nulla In Mundo Pax Sincera
Sublime motet of three arias and interlinking recitatives for solo soprano and string orchestra composed in 1735. It is considered to be one of Vivaldi’s most beautiful solo motets and is famous for its lilting first movement. The title may be translated as “In this world there is no honest peace” or “There is no true peace in this world without bitterness”.
L’Estro Armonico (The Harmonic Inspiration) is a set of 12 concertos for stringed instruments, first published in Amsterdam in 1711. It was the first publication to fully reveal Vivaldi’s inventive genius and one which established the fast-slow-fast movement formula for the greater part of his concerto output. Vivaldi scholar Michael Talbot described the set as, “perhaps the most influential collection of instrumental music to appear during the whole of the eighteenth century.”
Concerto For Two Trumpets
In this gloriously bright work for two trumpets and string orchestra, Vivaldi displays the Venetian love of musical dialogue. It was one of the few solo works of the early 1700s to feature brass instruments.
Vivaldi’s first setting of Psalm 127 for solo voice and strings is an often overlooked gem from his huge sacred output.
Violin Concerto In E Flat
The Violin Concerto In E Flat Major, otherwise known as La Tempesta Di Mare (The Sea Storm), captures the crashing waves and thundering skies of its title with a driving continuo part.
Trio Sonata In C
This trio sonata, written for violin, lute and continuo, is an eloquent, simple expression of joy and shows a perceptive understanding of both the lute’s limitations and gifts. Vivaldi’s work in general shows an awareness of tone colour few other Baroque composers had and the Trio Sonata in C is an excellent example.