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‘Right Or Wrong’: George Strait’s First Country Crossover Album
March 3, 2026
‘Master Of Puppets’: An Album Of Firsts And Lasts For Metallica
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‘Somethin’ Else’: Eddie Cochran Inspires The Sex Pistols
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‘Music Of My Mind’: Stevie Wonder’s Thoughts Turn To Musical Greatness
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Scarface’s ‘My Homies’ Is A Vital Look at Houston’s Greatest MC
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Full Metal Fandom: Why Heavy Metal Inspires Such Devotion
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‘A Hard Road’: How John Mayall & The Bluesbreakers Blazed Their Own Path
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Ringo Starr Announces ‘Long Long Road’
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Oklahoma Highway Named In Toby Keith’s Honor
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The Sex Pistols Announce Rescheduled Tour Dates With Frank Carter
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50 Cent’s ‘21 Questions’ Enters Spotify’s Billions Club
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Olivia Dean, Sam Fender, and Lola Young Win At The 2026 BRIT Awards
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McCoy Tyner ‘Inception’ Verve Acoustic Sounds Series
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Blue Note Records
The First Blue Note Record Is Released: Meade ‘Lux’ Lewis’ ‘Melancholy Blues’
On March 3, 1939, the first Blue Note Records songs were officially released.
Blue Note Records: A Short History Of A Jazz Institution
Dexter Gordon’s ‘Dexter Calling…’ Gets New Life in Blue Note Tone Poet Series
Blue Note Tone Poet Series to Reissue McCoy Tyner’s ‘Asante’
Kenny Dorham Joins Blue Note Tone Poet Series
‘Born To Be Blue’: Shades Of Genius In Grant Green’s Overlooked Classic
Dexter Gordon – Master of the Tenor Sax
Norah Jones On Her Blue Note Beginnings In ‘Come Away With Me’ Liner Notes Excerpt
‘Come Away With Me’: Revisiting Norah Jones’ Breakout Debut Album
Immanuel Wilkins And His Quartet Performs NPR Tiny Desk Concert
‘Out to Lunch’: Eric Dolphy’s Avant-Jazz Game-Changer
‘Serenade To A Soul Sister’: Horace Silver’s Soul Jazz Gem
‘Search For The New Land’: The Story Behind Lee Morgan’s Blue Note Classic
‘Chet Baker Sings’: How The Cool Jazz Trumpeter Found His Voice
‘Feels Like Home’: No Sophomore Blues For Norah Jones
More Blue Note Records
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