Robert Schumann (8 June 1810 – 29 July 1856) is widely regarded as one of the greatest composers of the Romantic era. The originality of his work pushed at emotional, structural and philosophical boundaries. Schumann’s music is largely programmatic, meaning it tells a story (through music, not specifically through words). Through the 1830s Schumann wrote a vast quantity of piano music which included pictorial cycles with literary or personal associations such as Papillons, Carnaval and Davidsbündlertänze. Schumann devoted the year of 1840 almost exclusively to songs and his song cycles included Dichterliebe and Frauenliebe Und-Leben. Schumann next turned his attention to chamber music. Between 1841 and 1842 he wrote three string quartets, a piano quartet and a piano quintet of sheer genius. As time went on, he attempted larger forms – choral works, the opera Genoveva and four symphonies. Schumann’s musical influence extended decades into the future – his impact on Brahms, Liszt, Wagner, Elgar and Fauré, and beyond, is immeasurable. And he remains among the best-loved of all 19th-century composers.
Best Schumann Works: 10 Essential Pieces By The Great Composer
Twenty captivating piano miniatures representing masked revellers at Carnival, a festival before Lent, including musical portraits of Paganini and Chopin. Carnaval showcases virtually all of the young Schumann’s personal and musical characteristics in one form or another and a number of the pieces are musical portraits of the composer’s friends and important contemporaries.
Kreisleriana is a set of eight solo piano pieces dedicated to Chopin and inspired by a character from stories by German Romantic writer E.T.A. Hoffmann. Schumann regarded Kreisleriana as one of his finest compositions and the work remains one of the staples of the romantic solo piano repertoire.
A set of thirteen delightful vignettes for piano nostalgically recalling Scenes From Childhood, not to be confused with the later Album For The Young, which was designed specifically for children to play! ‘Träumerei’ (‘Dreaming’) No. 7, is one of Schumann’s best-known pieces.
Piano variations of overwhelming mastery and surprising spontaneity given Schumann spent several years on the work. The Études are considered to be one of the most difficult works for piano by Schumann (together with his Fantasy In C and Toccata) and in the entire piano repertoire.
The Piano Concerto In A Minor, Op. 54, is the only piano concerto written by Schumann and one of the most intimate of his large-scale works. His wife Clara observed that, “The piano is so skilfully interwoven with the orchestra, it is impossible to think of one without the other.”