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‘Figure 8’: How Elliott Smith Turned Pop Music Upon Itself
April 18, 2026
‘His ’N’ Hers’: The Birth Of Modern-Day Pulp
April 18, 2026
‘The Prisoner’: How Herbie Hancock Found Musical Freedom
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‘Extras’: How The Music Of The Jam Spread Into The 1990s
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Sinatra At Budokan: A Performance Of Consummate Artistry
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Pillar Stone: Clyde Stubblefield, James Brown’s ‘Funky Drummer’
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‘Steppenwolf Live’: Rock Heroes Take One More Top Ten Album Trip
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A Tony! Toni! Toné!’s Greatest Hits Compilation Has Just Been Announced
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Dire Straits’ ‘Walk Of Life’ Joins Spotify Billions Club
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Jessie Ware Announces Superbloom Tour
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The Flying Burrito Brothers’ ‘The Gilded Palace Of Sin’ To Receive Vinylphyle Release
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Gang Starr’s ‘Hard To Earn’ Is Back On Wax Via UMe’s Vinylphyle Series
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Frank Zappa’s Vaulternative Records Returns With 1966 Live Album Rerelease
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Don Henley’s ’The End Of The Innocence’ Set For Vinyl Reissue
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By Charles Waring
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‘Control’: How Self-Assertion Made Janet Jackson An Icon
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‘You’re The Reason I’m Living’: Another Masterful Turn From Bobby Darin
‘Face To Face’: A Fresh Look At Baby Face Willette’s Soul Jazz Classic
‘Grant’s First Stand’: Proving That Guitarist Grant Green Had Legs
‘The Kicker’: Bobby Hutcherson’s First Blue Note Recording Session
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Bossa Nova: The History Behind Brazil’s Quiet Revolution
More Posts by Charles Waring
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