As so often, George Harrison put it most profoundly. “The first person who ever impressed me in my life was Ravi Shankar,” he said, “and he was the only person who didn’t try to impress me.”
The master Indian musician, who did more to introduce the music and culture of his home land than almost any other, was born on 7 April 1920. We might add, in his spirit of breaking down barriers between different backgrounds, that he came into the world in Varanasi, sometimes called “the Athens of India,” on the day that that Billie Holiday turned five.
Ravi had decades of important and interesting work to his name by the time he met, and made such an impression on Harrison in 1966. He had been a member of his brother Uday’s group from the age of 13, and was learning various instruments and travelling with them to concerts in the United States and elsewhere from the mid-1930s onwards.
Ravi tours Europe
In the 1940s, Shankar wrote ballet music, recorded for HMV India and was music director at AIR, All India Radio, now blending the music of east and west in his compositions and playing. He travelled to London to record his first album, Three Ragas, released in 1956, and, as he toured in Europe and elsewhere, expanded his horizons even further by writing for non-Indian films.
It was the Byrds who were the first Western pop-rock group to hear Ravi’s music, and pass it on to their friend George Harrison. The effect on the deep-thinking George, already in search of spiritual enlightenment, was immediate and profound. He was playing sitar, on The Beatles’ Rubber Soul track ‘Norwegian Wood,’ by late 1965, before he and Shankar even met.
“Ravi was my patch cord”
“If you’re trying to find something, to find the source of that is very difficult,” Harrison said, later quoted in his wife Olivia’s book Living In The Material World. “But my blessing was to be able to have Ravi as my patch cord, and he could plug me into the real thing. So my experience of it was always the best quality.”
The pair remained friends for the rest of George’s life, and the association with such a famous pop musician had a great benefit on Shankar’s own work. His 1967 LP West Meets East, with another of his great collaborators, Yehudi Menuhin, won a Grammy for Best Chamber Music Album. Shankar had three more US chart records in 1967 and ’68, and another in 1973. He added further to the cultural marriage by playing at Woodstock in 1969, and at Harrison’s Concert For Bangla Desh in 1971.
When Harrison formed his Dark Horse label, he brought Ravi and his family group to the fold, producing their 1974 album Shankar Family & Friends. The Indian musician’s achievements continued to be numerous and awe-inspiring. They included playing in the White House and composing original music for the 1982 film Gandhi, which brought an Oscar nomination.
The Shankar dynasty
Shankar also brought his great wisdom to bear as a member of the Indian Parliament from the mid-1980s to the early ‘90s. He wrote two autobiographies, the second edited by Harrison. Ravi also mentored his daughter Anoushka, who emerged as a notable sitar player in her own right, and they toured together. Another daughter, Norah Jones, herself became a world-famous, multi-million-selling success.
Full Circle, recorded at Carnegie Hall in New York in 2000 when he was 80, won a Grammy for Best World Music Album. Shankar remained active until the very end of his life, playing his final concert with Anoushka in November 2012, just four weeks before he passed away at the age of 92. His legacy of musical brilliance, and his advocacy of tolerance and interaction between religions and cultures, live on.