‘… And Justice For All’: How Metallica Won The Verdict And Went Mainstream

‘Ella Fitzgerald Sings The Duke Ellington Songbook’: Where Legends Meet

Time Was On His Side: The Street-Smart Soul Of Jerry Ragovoy

‘Abracadabra’: The Steve Miller Band’s Magical No.1 Casts A Chart Spell

Paul McCartney Spreads His Wings As A Solo Artist

‘Night Visions’: How Imagine Dragons’ Debut Album Looked To The Future

‘Strait Country’: Why George Strait’s Arrival Marked A New Era For Country

Karen Carpenter Sings ‘Superstar,’ As She Becomes One

‘Revelations’: Why The Final Audioslave Album Remains Full Of Surprises

‘Mr. Natural’: Stanley Turrentine’s Down-To-Earth Soul Jazz Classic

‘Ain’t a Damn Thing Changed’: Nice & Smooth’s Def Jam Debut

‘Did I Shave My Legs For This?’: Deana Carter’s Striking Debut

Producer-Engineer Bill Price: Memories Of A Studio Maestro

High Inergy Ring The Motown Bell With ‘You Can’t Turn Me Off (In The Middle Of Turning Me On)’

California Postcards: Beach Boy Al Jardine’s Finest Hour