‘Black On Both Sides’: Mos Def’s Solo Masterpiece

‘Rattlesnakes’: Lloyd Cole And The Commotions Kick Off With A Classic Debut

U2’s ‘October’: ‘We Don’t Sound Like Any Other Group,’ Says Bono

‘Setting Sun’: The Chemical Brothers Shine On Psych-Dance Classic

‘Double Dynamite’: Sam & Dave’s Explosive Stax Soul Classic

‘Very Necessary’: Why Salt-N-Pepa Were Hip-Hop’s Essential Ingredient

‘Without You I’m Nothing’: How Placebo Gave Their All On Their Second Album

Slippin’ & Slidin’: Little Richard Renounces Rock’n’Roll…Temporarily

‘Jesus Christ Superstar’: Ian Gillan Joins A Different Cast

‘Selling England By The Pound’: Genesis’ ‘Pretty English Pictures’

‘Lady Sings The Blues’: Diana Ross Plays Billie Holiday

‘Stepping Into Tomorrow’: Donald Byrd’s Future-Facing Acid Jazz Touchstone

‘Urban Hymns’: The Verve Play To A Choir Of Ten Million

‘Power Windows’: Rush Expand Their Sound

Lester Bowie’s Brass Fantasy: An Unexpected ECM Pop Venture