‘Some People Can Do What They Like’: Robert Palmer Goes His Own Way

‘Zombie Live’: Reliving Rob Zombie’s Hell-Raising Concerts

‘Crazy’: Patsy Cline Creates An All-Time Country Classic

Natural Born Bassman: Spooky Tooth And Humble Pie’s Greg Ridley

‘The Congregation’: How Johnny Griffin Preached A Hard Bop Sermon

‘Chunga’s Revenge’: Finding Frank Zappa In Full Attack Mode

‘Expansion Team’: How Dilated Peoples Spread Their Wings

‘Mellon Collie And The Infinite Sadness’: Why The Smashing Pumpkins’ Masterpiece Endures

Derek And The Dominos’ ‘At The Fillmore’: Clapton’s Complicated Recording

‘Do You Really Want To Hurt Me’: Culture Club Become The Talk Of 1982

‘Beautiful Day’: The Dawn Of A New Era For U2

‘Snap!’: The Jam Crackle On Their First Hits Retrospective

‘Red’: How Taylor Swift Made Her Move Towards Global Pop Domination

‘Hotter Than Hell’: How KISS Turned Up The Heat With Their Second Album

Kendrick Lamar’s ‘Good Kid, mAAd City’: A Lesson In Storytelling