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‘Rock Around The Clock’: Bill Haley Starts The Rock Clock Ticking

Bill Haley and the Comets’ ‘Rock Around The Clock’ may not have been the first rock’n’roll record, but it certainly ignited the fledgling style.

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Bill Haley and his Comets 'Rock Around The Clock' artwork - Courtesy: UMG
Bill Haley and his Comets 'Rock Around The Clock' artwork - Courtesy: UMG

It’s one of those musical oddities. “(We’re Gonna) Rock Around The Clock,” the record widely held to have brought rock’n’roll to Britain, didn’t even get near the UK Top 10 first time around. Moreover, the man delivering this vital message of teenage rebellion, Bill Haley, was already nearly 30 years old at the time. Conversely, he was only 55 when he passed away on February 9, 1981.

But the arrival of “Rock Around The Clock” in the UK chart, on January 7, 1955, was a major landmark. The recording in question was made at Pythian Temple Studio, at 135 West 70th Street, New York, on April 12 the year before. It wasn’t even the first UK chart entry for Bill and his group the Comets, who were simultaneously enjoying a much bigger hit with “Shake Rattle and Roll,” which climbed to No.4 and had 14 weeks on the chart. The new hit went on to peak at No.17 and was on the bestsellers for precisely two weeks.

You’d also have to be something of a trivia expert to know the names of the writers of the song that came to represent the commercial explosion of rock’n’roll. It was written by Philadelphia composer Max C. Freedman, who’d had several successes dating back to the end of World War II, with publisher and promoter James C. Myers, whose career also went back to the 1940s. He used the pen name Jimmy DeKnight for the collaboration.

[We're Gonna] Rock Around The Clock

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“Rock Around The Clock” was first recorded by Sonny Dae on the Arcade label in 1954, with Haley’s version (cut three weeks later) following that May, but only as the B-side of another track from the same session, “Thirteen Women (And Only One Man in Town.”

In fact, “Rock” was a chart record in Britain before it was in the US, if only for those two weeks. After being featured in the 1955 movie Blackboard Jungle, it then made the American survey in May, and went on to spend eight weeks at No.1, widely hailed as the first chart-topper of the rock’n’roll era.

Listen to the 50s playlist for more by Bill Haley and his Comets and other key acts of the decade.

That success, on Decca, prompted a re-release on Brunswick in the UK, and this time, the song really took off, spending three weeks at No.1 in November and December. Then “Rock” showed its staying power, charting again in Britain in September 1956, when it hit No.5. As subsequent generations learned of its importance, it went to No.20 in 1968 and No.12 in 1974. That last outing came after the song was prominent in the movie smash American Graffiti, which also took it back to No.39 in America.

Read more about the life of Bill Haley in our interview with his son, Bill Haley Jr. 

On January 28, 1956, the group entered the US album chart with an LP also entitled Rock Around The Clock, a Decca compilation featuring that and other Haley hits.

Buy or stream “Rock Around The Clock” on Bill Haley and his Comets’ Universal Masters Collection.

3 Comments

3 Comments

  1. Bill Turner

    January 7, 2017 at 6:14 pm

    The reason “Rock Around The Clock” didn’t go high on the charts ‘the first time around’, was because it was the B side of the record…with “Thirteen Women” as the featured A side. “Thirteen Women” was hardly even a rock & roll song, but it was placed as the A side because the record label had publishing interest in the song!

    • Wayne Young

      January 8, 2017 at 8:47 pm

      Sunny Day and his Knights recorded RATC late 1954 on Jack Howards Arcade record label.

      • Wayne Young

        January 8, 2017 at 8:51 pm

        Sorry meant recorded in late 1953 by Sunny Dae.

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