It’s 1978 and Peter Gabriel had been gone for a while, in 1977 guitarist Steve Hackett left Genesis… And then there were three – which became the title of the band’s ninth studio album.
And it was a triumph. Not only did they have their prog sensibilities intact, but they had some great hooks too.
The album’s title comes from a verse of the children’s rhyme “Ten Little Indians.”
Five little Indian boys going in for law,
One got in Chancery and then there were four.
Four little Indian boys going out to sea;
A red herring swallowed one and then there were three.
While the first two songs are slightly more complex in structure, “Follow You, Follow Me” is more straightforward and became the lead single from the album that made the US Hot 100 on April 22, 1978 and climbed to just outside the top 20 (In the UK it made No.7 becoming the band’s first top 10 single). It’s a really catchy song, and paved the way for the more radio-friendly Genesis that followed.
There are some beautifully delicate numbers on the album, the opening of Mike Rutherford’s “Snowbound” for example, but this builds to a chorus redolent of the great romantic composers. It’s the musical twin of Mike’s second solo composition on the album, “Deep In The Motherlode.”
“Deep In The Motherlode” along with “Burning Rope,” “Say It’s Alright Joe,” “The Lady Lies,” and “Follow You, Follow Me” were all played live on the band’s tour to support the album. It was a tour that started in March in North America, visited Europe in May and June, including their towering performance at the Knebworth Festival, and then returned to the USA for the whole of July.
Tony Banks’s solo writing credits on the album are the mighty “Undertow,” the seductive, “Burning Rope” (some stellar Collins drumming on this), “Many Too Many,” one of the band’s best ever ballads, and the album’s standout track, “The Lady Lies.” The latter track has a great chorus that is everything that has made Genesis so popular. “Many Too Many” was a minor hit single in Britain and is also the last time the band used a mellotron on a recording.
“Scenes from a Night’s Dream” is based on the adventures of comic strip character Little Nemo, and is the first Genesis song on which Phil Collins is solely responsible for the lyrics.
So, what’s not to love about …And Then There Were Three? Well, nothing actually. “Restraint” is a word that has been used in describing this album, but we would say there is far less restraint in the songwriting…and in the playing. This is Genesis having fun and laying down more than a few markers for what was to come.
And Then There Were Three can be bought here.