Sharleen Spiteri, Johnny McEllhone (Altered Images, Hipsway) and Ally McErlaine formed Texas in Glasgow in the late 1980s, signing to Mercury and releasing their debut EP Everyday Now (an ambitious studio and live six tracker) that is now much sought after. Sharleen had been working as a hairdresser, absorbing musical influences ranging from The Clash to Prince, Diana Ross, Blondie and Marvin Gaye. A soul girl with a controlled contralto Spiteri was a natural front for the boys’ musical prowess. They were so evidently gifted that it was no surprise when the Tim Palmer-produced debut album Southside hit the #3 slot in the UK with attendant single smashes “I Don’t Want a Lover”, “Thrill Has Gone” and “Everyday Now” tweaking sales towards the Gold status of 100,000 plus.
Mothers Heaven (1991) and a cover of Al Green’s “Tired of Being Alone” were critically well received and commercially impressive. Noted for their bluesy slide guitar, box fresh rhythms and that Spiteri voice Texas seemed to be on the verge of superstardom when “So In Love With You” (a virtual homage to Al Green) decorated the third album Rick’s Road but it was White on Blonde that caused the breakout stir. Veteran producer Mike Hedges and Dave Stewart added a glossy sonic edge to the songs, enhanced them with strings and loaded the first half with a run of hits that propelled Texas into mainstream public consciousness. By midsummer of 1997 with “Black Eyed Boy” seeping out on the airwaves Texas had moved into the zone where bands transform from contenders to champions.
The Hush was no less impressive and thanks to the charged video for “Summer Son” and a breathtaking performance at Glastonbury Festival Texas ended the 20th century on a massive high.
In 2000 The Greatest Hits confirmed their popularity, turning 6xPlatinum, also hitting #1 in time for Christmas. Suddenly everything here sounded like a bona fide hit and they also found space for two new songs, “Inner Smile” and “Guitar Song.”
This is an obvious place to discover Texas. It is also available in different formats, including the Deluxe Edition bonus disc that adds some fine club mixes, including Roger Sanchez’ remix of the single “I’ll See It Through”, co-written with Guy Chambers.
Careful What You Wish For and Red Book reactivated the band before they went on a sabbatical, allowing Sharleen to release her debut solo album Melody where she explores a different strain of European style chanson with producer Bernard Butler. Two years later The Movie Songbook (2010) followed. A spectacular selection of the singer’s favourite soundtrack songs – “Xanadu”, “God Bless the Child”, “What’s New Pussycat”, “The Windmills of Your Mind”, Cat People (Putting Out Fire)” et al – this is an essential part of her own story and is well worth seeking out.
The BBC Sessions (2007) is a cool collection of radio highlights from 1989 to 2003. The most recent studio album is The Conversation, for PIAS Recordings. This includes their terrific collaboration with Richard Hawley on “Dry Your Eyes” and a Live in Scotland Deluxe edition bonus disc recorded at the Belladrum Tartan Heart Festival in 2011.
And don’t overlook Texas 25 where they rework tracks from the past and include new songs with the single “Start A Family” (the video is poignant for starring Alan Rickman) premiering online in 2015.
With live shows in the offing and talk of new material this is the best time to dig a little deeper and find out where Texas come from.
Words: Max Bell