Jaren Johnston is a native of Nashville, Tennessee, and comes from impeccable stock. His father, Jerry Ray, was in the hot country group Bandana, and Jaren’s first significant foray into the business was as part of American Bang (aka Bang Bang Bang). The group would go on to sign a record deal with Warner out of LA and make their self-titled debut album with legendary producer Bob Rock (Metallica, Bon Jovi, Aerosmith). American Bang toured extensively from 2006-2010, performing with acts such as ZZ Top, Pretenders, The Black Crowes and many others, as well as playing major festivals such as Bonnaroo, Coachella, Austin City Limits and Lollapalooza. Albums I Shot The King and American Bang drew favourable reviews and were noted for stylistic links to Deadstring Brothers.
When that project ran its natural course, however, Johnston, Kelby Ray and Neil Mason bid farewell to lead guitarist Ben Brown and formed TC3. Mason and Brown had also appeared in the fine pop/rock band Llama, a showcase for their multi-instrumental talents. Mason is also a gifted songwriter with credits including Jake Owen (‘Days Of Gold’), Rascal Flatts (‘Payback’), Kelly Clarkson (‘Go On’), Tony Lucca (‘Reckless Love’), Macy Maloy (‘Give A Little Time’), Tyler Bryant & The Shakedown (‘Fools Gold’ and ‘Poor Boy’s Dream’), Emily West (‘Dangers Of Love’), and Kyle Andrews (‘If You Wanna Shine’, ‘Falling Into Flying’).
It hasn’t all been plain sailing. The trio was originally called Cadillac Black, but found that someone else had pinched that name already. Thus renamed, they dropped The Cadillac Three disc in the spring of 2013 for Big Machine Records (home to Taylor Swift, Tim McGraw, Reba McEntire and Rascal Flatts, among others). Its brilliant lead single, ‘The South’, was conceived with the highest ideals. As Jaren explained: “I wanted something for our live set that mirrored ‘Kashmir’ by Led Zeppelin – maybe a Southern version of that. I got into writing it, and started with the lyrics. I remembered the first time I heard ‘Sweet Home Alabama’ and I was just mesmerised with it. I thought: we need something like that.”
The song is a perfect introduction and an obvious point of entry if you haven’t yet discovered TC3. Once they get you hooked it’s a case of jumping on ‘Party Like You’, falling under the spell of the Gothic ‘Tennessee Mojo’ and joining in with the crazily addictive ‘I’m Southern’, all of which have atmospheric and classy videos to flesh out Johnston’s narratives.
Given their musical acumen and innate ability to fuse outlaw attitude to super groovy tunes and bags of Southern references, The Cadillac Three took it to the people to share out the love. In spring of 2015 they visited the UK and unleashed the exclusive EP, Peace, Love & Dixie, six tracks they recorded with Ryan Gore: four new one and two live goodies, ‘White Lightning’ and ‘Down To The River’, captured from their London show at The Garage. Thanks to a word-of-mouth following, the group subsequently won the Best New Band category at the Classic Rock Awards. The love affair is mutual. As Neil says: “We ended 2014 with some great shows in the UK, and we promised to keep coming back as long as y’all will have us. The UK has become like a second home to us over the past year or so.”
2015 also saw the hit single ‘White Lightning’ become a digital sensation, while TC3 received an Academy Of Country Music Awards nomination for Vocal Event Of The Year, as ‘The South’ continued to enjoy a remarkably long life. It’s just one those songs that you know is a destined to become a classic.
Dedicated to the cause, the group thought nothing of playing a show in America in 2015 before immediately flying in to the UK to play the Download Festival, where they took no prisoners – even though they had to borrow Black Stone Cherry’s gear, since their own equipment hadn’t made it across the ocean in time.
In many ways, TC3 are part of a new movement that includes Florida Georgia Line (Tyler Hubbard and Brian Kelley), Luke Bryan, Brantley Gilbert, Colt Ford and the phenomenally successful Dierks Bentley. But they also evoke links to an authentic past. You can hear echoes of the Allman Brothers in their debut, along with some clever nods and a tips o’ the hat to Bruce Springsteen, so they are well placed to be in it for the long haul.
The hot-off-the-press track ‘Graffiti’ brings them bang up to date with a thrilling rock ballad that talks about small-town fame, an ambition that’s spread around by word of mouth from town to town with a cool subtext that champions the underdogs – the kings and queens of the city who are struggling to get noticed.
So, gravitate at once to their debut album – it’s called Tennessee Mojo in the UK – and immerse yourself in a world of fabulous Southern sounds. If you’re not instantly converted, check your pulse. And once you’ve dug deep in to that mighty artifact, then go all out to hear the recent disc, Bury Me In My Boots, where you’ll hear those boisterous heel-clickers ‘The South’, ‘Party Like You’, ‘White Lightning’ and ‘Drunk Like You’, it’s a shindig for the soul, Fill your boots.