On 30 June 1967, one major British band showed solidarity to another, in dramatic circumstances.
Released on 25 June 1971 as a UK single, the song was a preview of what became, for many, The Who's greatest album, 'Who’s Next.'
They made the countdown for the first time in May 1967, but only after a delayed release and a title change.
'Live At Leeds' was a definitive in-concert album and "a very valid bit of plastic," as Roger Daltrey said.
The first studio record the band made without Moon, 'Face Dances,' entered the American album chart on 4 April 1981.
Pete Townshend worked on the song, originally as a slow blues, all through the summer of 1965, as The Who toured Scandinavia and Holland.
On 13 January 1968, the band took a major step to the grand concepts of their later work, as 'The Who Sell Out' made its British chart debut.
The reflective but uplifting song shows Pete Townshend's sense of melody and riveting lyricism at the height of their powers, and Roger Daltrey in the vocal form of his career.
In November 1980, the Who guitarist and writer made his third solo entry of the year on the Hot 100.
'The Who By Numbers' was a more conventional studio album after the panoramic ambition of 1973’s 'Quadrophenia,' but far from average.
How many weeks have The Who spent at No. 1 on the UK album chart? Precisely one, with 'Who's Next.'
In September 1979, the band played their first US concerts with Kenney Jones behind the drumkit.
'Who Are You' hit the Hot 100 on 26 August 1978 on its way to becoming the band’s biggest American hit for eight years.
The epic 'Live At Leeds' album contained the band's nod to a rock 'n' roll hero.
Four mighty strings and 50 mighty players: the best bassists are the ones who carve out signature sounds and play as many memorable licks as the guitarists.