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To celebrate punk’s singularly DIY spirit, we present 11 unsung rare punk singles from short-lived bands who stuck it to the man in style.
Despite coming late to the skate punk party, Sum 41 released a bona fide classic in the shape of the aptly-named ‘All Killer No Filler’, featuring this signature hit, ‘Fat Lip’.
The natural successors to original New York punk icons Blondie, Yeah Yeah Yeahs’ update of the original art-rock template remains effortlessly cool.
The album will be released officially on vinyl and CD for the first time since the original release on Chris Stein’s Animal Records in 1982.
The Fall’s Fontana years released three focussed albums (Extricate, Shift-Work and Code: Selfish) that have remained touchstones throughout their career.
Along with these metal heavyweights, the three-day festival includes sets by Mogwai, Bad Religion, Godspeed You! Black Emperor, Cold Cave and Andrew WK, among others.
Fanzines’ importance shouldn’t be underestimated: esteemed authors such as Greil Marcus and Danny Baker first cut their teeth writing for a variety of them.
Throughout their much-acclaimed UK and Irish tour, Ruts DC have been playing 'The Crack' in its entirety.
The '50s rock 'n' roller was the motivation for the Pistols' fifth consecutive UK top ten single
From being “reviled” by punks to filling stadiums around the world, Stewart Copeland reveals why The Police are “a Prada suit made out of barbed wire”.
Released after Sex Pistols’ acrimonious split, ‘The Great Rock’n’Roll Swindle’ nevertheless a swag-bag of some iconic moments in punk history.
Hailed as pop-rock perfection, ‘Parallel Lines’ made Blondie global icons for the new wave, influencing successive generations of New York bands.
A look at some of the classic music inspired by the famous New York landmark.
As the first multi-platinum-selling, all-female band to play their own instruments, write their own songs and have a No. 1 album, The Go-Go’s are the most successful female rock band of all...
Produced by Dennis Bovell, 'Cut' was originally released in September 1979 and it remains a post-punk touchstone.
