Teenagers Robert and Ronald Bell formed their first act with high-school friends, playing local jazz clubs in the Jersey City area as the Jazziacs. Already accomplished funkateers in 1964 they became one of the first acts to sign to Gene Redd’s De-Lite Records label in 1968 having now become Kool and the Gang officially. They moved to New York and recorded their debut with Redd helming, establishing a blueprint of classy soul jazz funk with pop licks and plenty of brass and rhythm. Their self-titled single ”Kool and the Gang” made inroads into the R&B and Pop charts and so they arrived in style.
Live at the Sex Machine (1971) was quite a revolutionary sound. Hard core funk items like “Pneumonia” and “Who’s Gonna Take the Weight?” hit all the right urban R&B buttons. The track “Funky Man” was sampled by The Prodigy much later on “Smack My Bitch Up” but then K and the G have provided a generous amount of no-brainer samples for golden era Hip Hop artists.
Still mixing originals with classic pop and soul material Live at PJ’s Hollywood saw them returning to jazzier roots with a version of Charles Lloyd’s “Sombrero Sam” while mixing their own grooves to Isaac Hayes’ “Ike’s Mood” and the wall of sound Spector classic “You’ve Lost That Loving Feeling” which they treated to an almighty funk work out.
1972’s Music Is the Message saw a change of direction as the band concentrated on mostly brand new compositions with the outstanding “Love the Life You Live Part 1 and 2)” and “Soul Vibrations” moving them to the forefront of emerging disco.
The first breakthrough is Good Times, a #34 smash. Now they were set for the big time and Wild and Peaceful is a place where anyone with an interest in pure funk could start their discovery. It contains “Jungle Boogie” and “Hollywood Swinging”, massive hits that made Kool a household name. Now producing themselves they made the experimental Light of Worlds album in 1974, incorporating synths, Vibraphone, Mellotron, Kalimba and superb backing vocalists. The key track “Summer Madness” has been used in movies (Rocky) and sampled a-plenty (Gang Starr, Boyz 11 Men, Erykah Badu and Mad Skillz have made best use of the signature licks). Also check “Higher Plane” and “Rhyme Tyme People” both are definite precursors of Hip Hop and still deserve maximum respect for their innovative productions.
Spirit of the Boogie allowed for greater improvisation and took a few left-field turns that wowed the writers in 1975 although it was Love & Understanding (partly recorded at the Rainbow Theatre in London) that cemented their European appeal. Open Sesame and The Force didn’t find so much favour, though both are excellent recordings, slick and spacey. Everybody’s Dancin’ was a similar sleeper but is now seen as the calm before the storm of Ladies’ Night where disco comes to town and blows everyone away. Every cut here was a hit with the title track, “Too Hot” and “Hangin’ Out” being the main charm. Ladies’ Night was a clever piece of business too because the Bell brothers honed their sound towards an area where black funk freaks and white disco kids could meet and share floor space. This is a classic. Simply put: discover!
With huge sales racking up by the turn of the decade 1980’s Celebrate! merited that exclamation mark. With Deodato providing early programming, orchestration and production Kool made another quantum leap into post-disco, hammering out razor sharp R&B pieces like “Night People” and “Take It to the Top”. The #1 hit “Celebration” is a timeless classic (they have plenty of others) and has achieved the rare distinction of going Platinum as a physical 45rpm single and as a download.
Something Special and As One continued the Deodato connection and gave us brilliant hits: “Steppin’ Out”, “Take My Heart” and the party cut “Get Down on It” perfected urban disco again. There’s a bit more rock to In the Heart and Emergency, both albums that remain hugely popular in the UK thanks to “Joanna”, “Cherish” and “Fresh” – three of the most influential tracks in any self-respecting New Romantic DJ’s box. With “Fresh” entering the street lingua franca as new coinage for “good thing” Kool and the Gang’s reputation soared again.
A switch to Mercury for Forever produced the hit “Stone Love” while Sweat moved them into a synth and dance area. The Gang are back on our turf on Gangland where the Kool players back a cast of rappers. It’s a hip and funky affair of course with three different remixes of “Jungle Boogie”.
The most recent release is available here: Kool for the Holidays is a Christmas offering while Still Kool (2007) goes back to their funk sources and is highly recommended for discovery. Check it with the Bonus Disc extras where you get a fistful of hits for your hard earned. Nice.
The Hits-Reloaded is also a very intriguing release. Kool feature a list of other talents here: Blue, Liberty X, Ashanti, Lisa Stansfield, Jamelia, Jamiroquai, Big Brovaz, Beverley Knight, Blue Cantrell, Sean Paul/Spanner Banner, Youssou N’Dour/Lauryn Hill and Blackstreet. You can’t get more eclectic than that fan club!
Back on the road at time of writing and clutching a Grammy Hall of Fame award for the excellence of “Celebration” Kool are still making news, treading boards and creating great music. Second only to James Brown as source for samples in rap-music they are an extraordinary act that should be never be underestimated. But then if you’re about to stick on “Misled”, “Let’s Go Dancing”, “Fresh” or any of their host of hits you already know what it means to be Kool and the Gang…
Words: Max Bell