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Latest News
‘Figure 8’: How Elliott Smith Turned Pop Music Upon Itself
April 18, 2026
‘His ’N’ Hers’: The Birth Of Modern-Day Pulp
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‘The Prisoner’: How Herbie Hancock Found Musical Freedom
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‘Extras’: How The Music Of The Jam Spread Into The 1990s
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Sinatra At Budokan: A Performance Of Consummate Artistry
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Pillar Stone: Clyde Stubblefield, James Brown’s ‘Funky Drummer’
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‘Steppenwolf Live’: Rock Heroes Take One More Top Ten Album Trip
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A Tony! Toni! Toné!’s Greatest Hits Compilation Has Just Been Announced
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Dire Straits’ ‘Walk Of Life’ Joins Spotify Billions Club
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Jessie Ware Announces Superbloom Tour
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The Flying Burrito Brothers’ ‘The Gilded Palace Of Sin’ To Receive Vinylphyle Release
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Gang Starr’s ‘Hard To Earn’ Is Back On Wax Via UMe’s Vinylphyle Series
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Frank Zappa’s Vaulternative Records Returns With 1966 Live Album Rerelease
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By Charles Waring
‘Lean On Me’ Is “One Of The Highlights Of My Career” Says José James
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‘Love Will Find A Way’: “It’s Come Full Circle” Says EW&F’s Philip Bailey
“You Have No Choice But To Be Relevant”: Robert Glasper Talks ‘Collagically Speaking’
Jazz Drummer Joe Chambers On Blue Note: “The Black Musicians’ Label”
Bassist Miles Mosley On Jazz’s “Nutrient-Dense” Past, Present And Future
“Music Is A Portal”: Sophie Huber On Blue Note Documentary ‘Beyond The Notes’
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A Humdrum Star: GoGo Penguin Shine Bright On Their Fourth Album
‘Live In Europe’: Intimate And Commanding, Melody Gardot Bares Her Soul
More Posts by Charles Waring
Page 20 of 21
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