On July 25, 1970, Eric's name appeared on the charts as a solo artist for the first time.
The UNICEF event featured John and George's first scheduled performance since The Beatles' last concert in 1966, and Lennon's last UK live appearance.
Capturing “the delirious optimism of the era”, ‘The Rolling Stones Rock And Roll Circus’ remains one of the most ambitious extravaganzas in rock history.
Who were The Dirty Mac? They never made an album, but this John Lennon, Keith Richards, Eric Clapton and Mitch Mitchell supergroup are rock’n’roll legends.
The album was a brilliant combination of the blues, jazz and rock resumés of all three members, in a line-up that introduced and defined the concept of the power trio.
For the perfect soundtrack to a bluesy little Christmas, our playlist of the best Christmas blues songs has everything you need, from King to Clapton.
From Def Leppard to Chuck Berry, U2, Tom Petty, Weezer and Eric Clapton, the best Christmas rock songs are satisfyingly turkey-free.
On November 26, 1968, Cream played their farewell concert at London's Royal Albert Hall with Yes and Taste as the opening acts.
Taken from George Harrison’s towering 'All Things Must Pass' album, this beautiful song has the distinction of being the first No.1 single in the UK and America by a former Beatle.
‘Live At The Regal,’ recorded in November 1964, remains one of the great live albums of all time, demonstrating why BB is The King of the blues.
A salute to the Californian writer-artist who created ‘On and On,’ ‘Save It For A Rainy Day,’ ‘Little Italy' and many others.
The sessions at which Derek and The Dominos recorded their album have become known as the Layla Sessions. This is the story of how it happened.
Cream’s second album, ‘Disraeli Gears,’ remains a psych-blues masterpiece that ensured Clapton and co’s place in the history books.
‘Duets’ compiles the artist’s collaborations with Mary J. Blige, Eric Clapton, Shaggy, and Annie Lennox, among others.
The Vee-Jay single entered the R&B chart on October 24, 1960 for the man Keith called a big model for the young Rolling Stones.
The US top 40 was new territory for the album-oriented band until Dickey Betts' song arrived.