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“We created something special,” says Big Star’s Jody Stephens about ‘Radio City’, the album that cemented them as the archetypal cult band.
It may not have been one of the group's most commercially successful LPs, but 'Holland' was, and remains, an admirable, self-contained and cohesive body of songs.
Released at the dawn of the Summer Of Love, David Bowie’s debut album contains the seeds of ideas that he would return to throughout his career.
On their ambitious debut album, ‘SremmLife’, dynamic sibling duo Rae Sremmurd ushered in a new class of hip-hop eccentrics.
Released in January 1969, Creedence Clearwater Revival's album Bayou Country put the band on the map thanks to the singles 'Proud Mary' and 'Bayou Country'.
Recorded in 1959, Ella Fitzgerald Sings The George and Ira Gershwin Song Book is one of the greatest vocal performances of the 20th century.
Remebering when the classically-trained singer, songwriter and pianist arrived with some powerful melodies and cutting-edge lyrics.
The album oozes swing and helped reconnect jazz lovers with one of the finest bands of the swing era.
After leaving Roxy Music, Brian Eno’s startlingly innovative and influential solo career took flight with the release of ‘Here Come The Warm Jets’.
With ‘Trans’, Neil Young shocked fans and critics alike with a leftfield classic about how humanity was going to make sense of the computer age.
George Harrison’s first solo tour following the breakup of The Beatles began in November 1974, prior to the release of his fifth studio album, Dark Horse.
The album is widely respected as an early example of the way that jazz was beginning to acknowledge the fledgling funk sound.
Recorded over a month, John Fogerty wrote every track on the album and added horns and keyboards to create a more expansive sound on Pendulum.
Queen’s operatic and torch flavoured elements once again rose to the fore with A Day At The Races, clearing another hurdle with aplomb. Groucho Marx even sent the group a handwritten note...
With ‘Flesh Of My Flesh, Blood Of My Blood’, DMX signposted hip-hop's growing dominance, forcing the industry to re-evaluate its approach to new albums.
Conceived as “an unfriendly, fairly impenetrable record”, ‘Not The Actual Events’ recalled the sound of Nine Inch Nails’ ‘The Downward Spiral’.
