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reDiscover Frank Sinatra’s ‘Frank Sinatra Sings For Only The Lonely’

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Ask people to name Frank Sinatra’s saddest album and most will say, In The Wee Small Hours Of The Morning, but Frank Sinatra Sings For Only The Lonely may just be sadder. It’s also nothing less than a front-runner in the “Frank Sinatra’s best album” stakes, and undeniably a masterpiece; Frank even said it was his own favourite album. Yet it was conceived in exceptionally sad circumstances.

Shortly before Nelson Riddle began work on arranging the songs for this album, his six-month-old daughter died from bronchial asthma. Frank and Nelson went into the studio on 5 May 1958 to begin work on the album, but none of the three songs that were cut that night were used. Nelson’s mother was critically ill and it can only have affected the session; she died four days later. Three weeks later, Frank returned to the studio and while the arrangements for the album were Nelson’s, it was Felix Slatkin who conducted the orchestra on 29 May, before Nelson returned for the last two sessions that completed Frank Sinatra Sings For Only The Lonely.

Frank’s singing is the epitome of sadness, while the arrangements have an added dollop of despondency. It was a travesty that this album did so poorly at the inaugural Grammy awards. All it won was the award for the best cover, a design that Sinatra himself came up with and which was interpreted by Nick Volpe. (The album was inducted into the Grammy Hall Of Fame in 1999 to partially atone for the oversight.) In December 1958, Peter Jones, in the British music paper Record Mirror, said, “I feel the LP as a whole has so much magic it is a ‘must’.”

Among the standouts are the title song, written by Jimmy Van Heusen and Sammy Cahn, which was recorded on Thursday 29 May, 1958. Frank told author Robin Douglas-Home about pacing an album. “Tommy Dorsey did this with every band-show he played. Paced it, planned every second from start to finish. He never told me this; it just suddenly came to me as I sat up on that stand every night. This is what I’ve tried to do with every album I’ve ever made.” It is a song that stands up as one of Frank’s best scene-setting openers.
580300 Picturegoer SinatraAnother classic is Harold Arlen and Johnny Mercer’s ‘One For My Baby’, recorded a month later. This now-classic number was helped in the recording process when Sinatra’s new producer, Dave Cavanaugh, created the right mood by putting the studio lights right down and illuminating Frank with a single spot. With Bill Miller beside him at the piano it created the atmosphere of a nightclub. Having picked out just two songs here, however, it’s only right to say that every song is just about perfect, from the unadorned beauty of ‘Angel Eyes’, to dynamics which show how brilliantly the Capitol engineers had mastered the new studio in the Capitol Tower. There’s the stark and sparse ‘What’s New’, a mood duplicated in ‘Willow Weep For Me’, and the poignancy of Rodgers and Hart’s ‘Spring Is Here’.

The album first entered the US charts on 29 September 1958 and reached No.1 on 13 October, where it stayed for five weeks. It made No.5 in the UK after it was released in December the same year.

Frank Sinatra Sings For Only The Lonely is one of 75 classic albums picked to celebrate the milestone that is Capitol Records’ 75th birthday. Join the celebrations with the Through The Decades playlist, and purchase Frank Sinatra Sings For Only The Lonely here.

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1 Comment

1 Comment

  1. Rob J

    July 15, 2017 at 10:00 pm

    Frank’s finest moment.
    Until then, I always viewed him as an MOR singer whose glory days were long behind him especially
    after listening to the dreadful “My Way”. Back then, all of the classic Capitol records were deleted,
    so all that remained was the patchy Reprise output. However, when Miles Davis, Jim Morrison,
    BB KIng, Elvis Costello and Iggy Pop cited Frank as a great vocalist, I thought I’d check him out.
    I found a second hand copy of “OTL”, and now I could see what the fuss was all about.
    Utterly flawless from beginning to end, it speaks volumes when Frank said it is his favourite
    album. Nelson Riddle’s sublime string arrangments add a layer of stark beauty, which still remains
    unmatched after nearly six decades. Frank was on Desolation Road long before Dylan had
    thought of the phrase. He said that he was a classic manic depressive, and if one plays “Songs
    For Swingin’ Lovers” and “Only The Lonely” back to back, Frank was spot on.

    Only Amy Winehouse’s “Back To Black” has matched it for sheer heartbreak and sorrow.
    Sadly, Amy never got to record any more music again as we all know.

    A classic album. Frank at the very height of his powers.

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