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Many misunderstood political songs have been taken to be calls to rebellion or patriotic chest-beaters – a far cray from the artists’ original intentions.
Erudite, unafraid of asking the big questions, and ever evolving to follow her creative muse, Laura Marling is the natural successor to Joni Mitchell.
Drawing upon an array of styles, ‘Grace And Danger’ was a cathartic, sometimes painfully intimate exploration of the breakdown of John Martyn’s marriage.
The posthumously-released ‘From A Basement On The Hill’ is Elliott Smith’s boldest record. Arriving in the shadow of his death, the album glows with life.
This year's event takes place on Friday, 29 November in independent record stores across the US.
Establishing Mumford & Sons as the breakout success of the “nu-folk scene”, ‘Sigh No More’ was a bold gamble that more than paid off.
Many of the songs on Knopfler's 2002 album were inspired by the struggles of itinerant working-class people.
'Young People Marching’ echoes the call for climate action heard in Raffi's 2007 song 'Cool It.'
This first festive offering shows that the four-time Grammy Award-winning blues man is just as adept addressing R&B and Americana-styled roots music.
Daniel Johnston, the lo-fi singer-songwriter and outsider artist has died aged 58 following a heart attack last night on 10 September.
In memory of the much-missed troubadour, songwriter and unique performer.
Produced by frontiersman Joe Boyd, the LP featured such haunting pieces as ‘Time Has Told Me,’ ‘River Man’ and ‘Way To Blue.’
JS Ondara’s ‘Tales Of America: The Second Coming’ will feature five new bonus tracks, including a cover of Neil Young’s 'Heart Of Gold'.
From being booed with Dylan to changing the course of music, The Band’s Robbie Robertson recalls a unique “circle of creativity”.
The song, by Vince Gill, Randy Scruggs and Earl Scruggs, previews a set featuring covers of Graham Nash, Richard Thompson and many others.
