With their twelfth album, ‘WHO’, Pete Townshend and Roger Daltrey created a wise, relevant record that would have startled their younger selves.
The No. 3 debut is the band's best since 1981's 'Face Dances.'
The band will once again team with local symphony orchestras for the North American performances, which will now begin on 21 April in Hollywood, FL.
The show is the latest in the company's series of anniversary events, releases and more that have run throughout 2019.
The reflective but uplifting song shows Pete Townshend's sense of melody and riveting lyricism at the height of their powers, and Roger Daltrey in the vocal form of his career.
"As Londoners, it’s very surreal to be immortalised in stone on Camden High Street," said Pete Townshend and Roger Daltrey in a statement.
The Who’s rock musical ’Tommy’ is returning to Broadway, 26 years after the show’s run ended, with original director Des McAnuff leading the new production.
Pete Townshend says the track “is dedicated to every artist who has ever been accused of ripping off someone else’s song."
While unveiling the artwork and tracklist for 'WHO,' the band also shared the first song from it, along with UK arena shows for 2020.
Pete Townshend has also revealed that, with their forthcoming album now completed, he doesn't see an end in sight for The Who.
The Who's frontman Roger Daltrey talks about the making of the band's legendary 1969 album and reimagining it for the new ‘Tommy Orchestral’ version.
On his Instagram account, Townshend described Alan Rogan as “my guitar tech, friend, saviour and good buddy.”
The store takes its name from its address at 52 Brewer Street and arrives ahead of the band's performance at Wembley Stadium on 6 July.
The Fab Four performing ‘Paperback Writer’ on ‘Top Of The Pops’ in 1966 is just one of the rare clips set to be screened at the event.
The album was recorded on Daltrey's summer 2018 US tour, on which he performed the work with some of the finest symphony orchestras in the country.
Publisher Mark Booth describes the book as “a great rock novel” that “captures the craziness of the music business”.