‘The Supremes Sing Rodgers & Hart’: Motown Queens Do The Musicals

‘Hit Maker!’: Burt Bacharach Gets British Seal Of Approval

‘Mamma Mia’: My My, How Could We Resist ABBA?

‘With Teeth’: Nine Inch Nails ‘Bristle And Slam’ On 2005 No.1

‘Contours’: How Sam Rivers Hit New Heights Of Creativity

‘Unwound’: George Strait Unfurls A Country Singles Chart Debut

‘What’s Going On’: When Marvin Gaye Unveiled A Masterpiece

‘Sir Duke’: Stevie Wonder Salutes Duke Ellington And Soars To No.1

‘Innerspeaker’: Tame Impala’s Audacious Psych-Rock Debut

‘Down On The Upside’: How Soundgarden’s Fifth Album Flipped The Script

‘Hot Space’: Queen’s Electro-Funk Experiment

‘Sinnerman’: Nina Simone’s Masterpiece Is Still Relevant Today

‘Matador’: Grant Green’s Top-Shelf Modal Jazz LP

‘Mississippi: The Album’: David Banner’s 2003 Solo Gem

‘Happy Jack’: The Who Make Their American Album Chart Debut