With Megadeth’s debut album, ‘Killing Is My Business… And Business Is Good!’, Dave Mustaine unleashed a full-bore attack on thrash metal.
Having long planned a Def Leppard covers album, the band fully delivered with ‘Yeah!’, a euphoric homage to their formative inspirations in the vein of David Bowie’s ‘Pin Ups.’
A natural progression from their debut album, ‘Out Of Exile’ proved that Audioslave were committed to evolving rock music right up until the very end.
Marking The Human League’s progression towards chart dominance, ‘Travelogue’ was a highly accessible album that retained their group’s early experimentalism.
Described by Elton John himself as 'the very last album of its kind we’ll do,' ‘Madman Across The Water’ continued his North American domination.
The best musical interpretations of the lawless couple, in country, hip-hop and more.
The last in our Stax interview series is on a lady who has been part of the fabric of the famous Memphis institution for more than half a century.
'Tear It On Down' was the final single to carry the name of Martha Reeves & the Vandellas.
The British group arrived with some of the most sophisticated, jazzy pop of the decade.
After battling personal setbacks, Queen soldiered on and regrouped to deliver one of their strongest efforts in the 80s, ‘The Miracle.’
On May 22, 1993, the band entered the UK bestsellers with a new album for the final time.
One of the group's best-known songs became a US Top 40 hit during the American bicentennial.
Even as the trio were riding the Hot 100 with 'The Happening,' they unveiled an album of classic show tunes.
'Hit Maker!' completely missed the US charts, but became a significant success in the UK, where Burt recorded it.
With ‘Contours,’ Sam Rivers proved that he was an innovator who could advance post-bop jazz when all norms were being challenged.
Queen's 10th studio album, ‘Hot Space,’ saw the band experiment with electro-disco and featured Freddie and Bowie's iconic single, 'Under Pressure.'