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Carpenters’ 'Passage' album was a victim of its own timing. Released in October 1977 when the world was going punk, Carpenters still made the plushest pop.
Released in October 1983, Carpenters’ ’Voice Of The Heart’ is a posthumous release that captured the deep beauty in Karen Carpenter’s voice.
Just how did Karen and Richard Carpenter get involved with the ‘International Flying Saucer Bureau’?
Written by Neil Sedaka and Phil Cody, ‘Solitaire’ is one of those much-covered songs, but the Carpenters' version for their album Horizon might be the best.
The duo's place in the pop firmament was so assured that they could approach their fourth album as a broad-based concept record.
The album included some fine later-period Carpenters moments and, as always, those incredible Richard & Karen harmonies.
15 May 1971 was a bright day for Carpenters when their single ‘Rainy Days and Mondays’ was the highest new entry of the week on the Hot 100.
A special playlist to celebrate the masterful song craft and recording brilliance of Richard and Karen Carpenter.
As the third single from 'Passage' was released, 18 February 1978 brought Richard and Karen's one appearance on the country chart.
Nearly seven years after Karen Carpenter's death, the group's devotees were able to hear a whole disc of unreleased material, on the album 'Lovelines.'
Perfect for the holiday season, Carpenters’ ‘Christmas Portrait’ is a timeless record that only gets better with each passing holiday.
Recorded at Abbey Road Studios, with Richard Carpenter himself at the helm, the Carpenters orchestral album make the duo’s classic songs richer.
Often pigeon-holed as AOR, Carpenters were actually musical mavericks, thanks to Richard Carpenter’s forward-thinking arrangements and Karen’s unique voice.
With the upcoming 'Carpenters With The Royal Philharmonic Orchestra', Richard Carpenter tells uDiscover the origin story of '(They Long To Be) Close To You'.
The album features Carpenter's new arrangements of the group's timeless, original vocal and instrumental tracks.
