Allan Holdsworth, Guitar Inspiration To Peter Frampton, Joe Satriani, Et Al

Holdsworth was widely feted for his innovative guitar technique and use of complex time signatures.

Published on

Allan Holdsworth - Photo: Jordi Vidal/Redferns
Allan Holdsworth - Photo: Jordi Vidal/Redferns

Allan Holdsworth was the rock and jazz guitar virtuoso best known for his work with Soft Machine and numerous other jazz-rock and progressive bands.

As a mark of the respect in which he was held by his fellow musicians, Holdsworth’s passing in 2017 was swiftly observed with tributes on social media by such players as Peter Frampton, Joe Satriani, Steve Lukather, Neal Schon, and Vernon Reid. Frampton described him as a “brilliant unique guitar master player.” Satriani wrote: “You remain an enormous inspiration to me. Your beautiful music will live on forever.”

An individual signature

Holdsworth, widely feted for his innovative guitar technique and use of complex time signatures, was born on August 6, 1946 in Bradford, England. He made his album debut with the jazz-rock band ’Igginbottom, whose 1969 album ’Igginbottom’s Wrench was released by Deram and co-produced by Morgan Fisher, later of Mott The Hoople. Holdsworth went on to a number of progressive outfits in the early 1970s such as Nucleus and Tempest, then played on Soft Machine’s 1975 album Bundles.

The following year, he released his first solo album, Velvet Darkness, on Creed Taylor’s CTI label. It featured future hitmaker and producer Narada Michael Walden on drums. Holdsworth played on Feels Good To Me, the first solo album by the original drummer in Yes, Bill Bruford. Then he joined him, along with Eddie Jobson and John Wetton, in the band U.K.

The dawn of the SynthAxe

Myriad collaborations ensued in the coming decades, with everyone from Krokus to Level 42. These alternated with his frequent solo recordings, particularly throughout the 1980s, by which time he had relocated to California. On his 1986 release Atavachron, Holdsworth introduced the SynthAxe, a keyboard MIDI controller designed to resemble a guitar.

Atavachron (Remastered)

Click to load video

On this and his own signature guitars, Holdsworth continued to be revered by his peers for his extraordinary, groundbreaking technique. In 1989, Guitar World magazine said he was “as influential as Chuck Berry, Jimi Hendrix and Eddie Van Halen.” He released his last solo album Tales From The Vault in 2015.

‘There’s always something I want to change’

He died on April 15, 2017 at the age of 70, at his home in Vista, California. Consistently self-effacing but musically inquisitive, Holdsworth told the Los Angeles Times in 1990: “I love music, really a lot. That’s why I do it. But mine just never makes it, to me. There’s always something wrong with it, something I want to change. But I like that, because at least it keeps me looking, trying to find ways I can improve, which obviously are a lot.”    

1 Comment

1 Comment

  1. Akira

    April 18, 2017 at 3:28 pm

    Love his plays on Tempest, Bruford and especially “All Night Wrong” live album in Roppongi Pit Inn, Tokyo, Japan on May 5th, 2002. RIP.

Leave a Reply

Your email address will not be published. Required fields are marked *

uDiscover Music - Back To Top
uDiscover Music - Back To Top