Playing with fans who sought to decipher hidden meanings in their songs, The Beatles laced ‘Glass Onion’ with references to their earlier songs.
Arguably The Beatles’ most visceral moment on record, ‘Helter Skelter’ grew from a bluesy jam into what’s been cited as the world’s first heavy metal song.
Starting life as a tender acoustic song, ‘While My Guitar Gently Weeps’ became an epic rock track, and one of George Harrison’s finest Beatles moments.
Written in Rishikesh, ‘Dear Prudence’ has transcended its original inspiration to become one of The Beatles’ best-loved songs.
A classic back-to-basics rocker, ‘Back In The USSR’ incorporated Beach Boys harmonies and Chuck Berry riffs to become a scorching piece of rock’n’roll.
As dark and heavy as any song in The Beatles’ canon, ‘Yer Blues’ demanded an intensity to match – and found it in a cramped Abbey Road storage room.
Inspired by one of the Maharishi’s lectures, ‘Mother Nature’s Son’ found Paul McCartney writing “a heartfelt song about my child-of-nature leanings”.
The Beatles recorded three versions of ‘Revolution’, from an all-out rocker to an abstract collage, capturing the chaos and unrest of the summer of 1968.
Capturing The Beatles as a visceral rock band, ‘Everybody’s Got Something To Hide Except Me And My Monkey’ is one of their most spirited performances of 1968.
One of the first songs recorded for “The White Album”, ‘Blackbird’ found Paul McCartney responding to the civil-rights movement of the 60s.
The mission statement of the highly skilled musicians is to perform the albums that The Beatles never did, exactly as they were made and with the same vintage instruments, but live on...
Written towards the end of the “White Album” sessions, ‘Long, Long, Long’ was one of George Harrison’s most notable spiritual songs.
Fifty years after its release, The White Album remains a groundbreaking record, lauded my many Beatles fans – though dividing the opinions of some.
“There’s a lot of stuff that nobody’s ever heard and George’s house sessions. But the actual remastering is much clearer, and the drums are a little higher, so I love it.”
The 30-track 1968 album is augmented by many unreleased acoustic demos and session takes.