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A feast of beautifully crafted, airwave-friendly pop, Crowded House’s ‘Woodface’ featured some of the band’s most melodic, infectious tunes to date.
'No Sleep Till Hammersmith' became a classic live rock album, with a title that passed into the musical lexicon.
From over-easy grooves to gritty, energised instrumental funk, ‘Soul Limbo’ found Booker T And The MGs working at their peak.
Putting away the mics and dusting off the vintage instruments, ‘The Mix-Up’ found Beastie Boys paying homage to all their influences at once.
The blues-rock quartet made a UK album chart breakthrough in their banner month of June 1970.
‘Goo’ challenged the idea of what a mainstream rock album could be without sacrificing the experimentalism that earned Sonic Youth a devoted cult following.
The rock giants proved there was plenty of fuel in the adult oriented rock tank with their fourth album 'Walk On.'
When the album was released on 17 June 1983, little did their millions of fans know it would be their last studio LP.
From the ashes of post-hardcore outfit At The Drive-In, The Mars Volta brought a punk spirit to prog on their sprawling debut album, ‘De-Loused In The Comatorium’.
On her self-titled album, the indie rock icon took her pop sensibility to its natural conclusion, achieving mainstream success on her own terms.
With ‘EMOTION’, Carly Rae Jepsen proved she was more than just her smash single but a full-fledged pop star with a devoted audience.
Capturing Tubby Hayes at a creative high point, ‘Grits, Beans And Greens’ proves why the saxophonist was one of British jazz’s most important pathfinders.
In 1964, John Coltrane contributed music to a French-Canadian arthouse film, but his ‘Blue World’ soundtrack remained unreleased until now.
Released on 24 June 1968, the self-produced album was not successful in the US, but has steadily grown in stature.
'Sgt. Pepper’s Lonely Hearts Club Band' debuted on the US chart, just as it had in the UK, at No. 8.
As drum’n’bass was coming to the end of its peak period, the genre had yet to produce a classic album, until Roni Size/Reprazent’s ‘New Forms’ appeared.
