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reDiscover Vangelis’ ‘Opéra Sauvage’

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Vangelis Opera Sauvage Album Cover - 530

Opéra Sauvage, the score for a French filmmaker Frédéric Rossif’s natural history documentary, is not as well known as many of Vangelis’s film scores or many of his other albums, but it is one of his best. It is a beautiful album that really makes you feel a connection with nature without even the need for on-screen images to make the connection for you.

The opening ‘Hymne’ is a typical of Vangelis’s layered keyboards, especially his use of the electric piano; it has an incessant hook that stays in your mind long after the album has finished playing. ‘Hymne’ featured in the film, Chariots of Fire when a re-recorded version was used as the score for Eric Liddell’s first race in the Scottish highlands.

One of the album’s two lengthy pieces follows, it is the delicate ‘Rêve’ that is dreamlike and at the same time there’s an intensity that Vangelis injects with synthesiser effects that underplay the haunting theme. As it builds to its climax there’s even a hint of jazz that makes this one of the composers most effective compositions.

‘L’Enfent’ is another of Vangelis’s deceptively simple themes that builds and is beguiling. The director Hugh Hudson originally intended to use ‘L’Enfant’, for the opening titles sequence to Chariots of Fire in the first scene on the beach. It was Vangelis who talked him out of it and maybe that was no bad thing as he came up with his iconic theme for the movie. Despite this Hudson had ‘L’Enfant’ being played in the film by a brass band.

‘Mouettes’ is another short piece and has perhaps the least memorable theme of any of the tracks on the album. It’s followed by ‘Chromatique’ that at once manages to sound classical and new, the blending of different synthesiser parts is subtle like the waves lapping against the shore. ‘Irelande’ is well titled; it has the air of Celtic mystery about it – peat bogs shrouded in the early morning mist and the incessant tolling of a distant bell.

‘Flamants Roses’, unlike the other pieces on the album is less cohesive as a single track – not that this is a bad thing. It manages to combine several parts following the slow introductory element that features Jon Anderson of Yes, and Vangelis’s collaborator on several albums, playing harp. It builds to a central upbeat, incessant piece that feels like a raging river, before it mellows into a bluesy finale that has elements that are reminiscent of Vangelis’ s amazing score for the movie, Blade Runner.

Opéra Sauvage was recorded at Vangelis’s Nemo Studios in London, during 1978 and 1979. It made No.42 on the Billboard charts, but not until 1986 because it was used for a Gallo Wine commercial; it became the second most successful of his albums in the USA, after Chariots of Fire that topped the charts in late 1981; it failed to make the best seller list in Britain.

Opéra Sauvage is included in the 13CD box set Delectus, which collects many of the master’s great works along with a number of rarities. Purchase the collection here.

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25 Comments

25 Comments

  1. Scott Moody

    August 27, 2014 at 9:08 pm

    Have loved and cherished it for 30+ years. As beautiful now as it was the first time I listened to it. Along with L’Apocalypse Des Animaux, my two favourite Vangelis recordings.

    • Stephanie

      August 27, 2014 at 10:41 pm

      One of my favourites ever. The review seems legit and quite enjoyable, I must say: I had no idea that Jon was playing the harp in Flamands Roses!
      I thought that you decided to say some words about each track, but you skipped Irlande. Was it on purpose?
      Mouettes may be indeed the least memorable one, but a couple of years ago it was my favourite from the whole album.

      Anyway, the review is super; it reveals a bunch of stuff that I wasn’t aware of. Congrats!

      • uDiscover

        August 27, 2014 at 10:48 pm

        Stephanie, thank you! We didn’t miss Irelande, we said “‘Irelande’ is well titled; it has the air of Celtic mystery about it – peat bogs shrouded in the early morning mist and the incessant tolling of a distant bell.”

        • Stephanie

          September 3, 2014 at 5:33 pm

          Yes, you are right, I overlooked it. My bad.

    • Cecilia Penn

      September 23, 2014 at 9:10 pm

      My two favourites too Opera Savage and L’Apocalypse Des Animaux that is. I also like Earth. Early Vangelis at his best! Irelande is my favourite track. I visited Ireland and took plenty of video of the landscape. I put Irelande as soundtrack to it and it was so beautifully matched.

  2. arturo

    August 27, 2014 at 9:26 pm

    One of my favorite song by Vangelis, the portraits album excelent and more

  3. Tomasz Skaba

    August 28, 2014 at 12:38 am

    The seductive sound of the music.
    Thank you.
    Regards,
    Tomasz Skaba.
    Poland.

  4. Hogne B. Pettersen

    August 28, 2014 at 8:49 am

    Alan White of Yes has this album on his list of deserted island discs. It’s always been among my favourites. Not a single weak track

    • Ron Lavin

      August 28, 2014 at 5:30 pm

      This album is immaculate. One of the soundtracks of my life. I did not know Alan had such good taste to include this on his desert island list!

  5. lemaitre brice

    August 28, 2014 at 9:56 am

    22 movie “l’opera sauvage”

    01 – L’oiseau couleur du temps.
    02 – Le chemin vers la mer.
    03 – La passion du souvenir.
    04 – Le temps de dieu.
    05 – Par tous les vents.
    06 – Ces chants qui viennent de la mer?.
    07 – L’oeil du condor.
    08 – Hier et demain, la Grèce.
    09 – Rajahstan, tout est amour.
    10 – Une musique venue de la mer?.
    11 – Le rêve celtique, Irlande.
    12 – Voyage à Java.
    13 – L’espace et le souvenir.
    14 – Un rythme absolu.
    15 – Voyage au Célèbes.
    16 – Le coeur musicien.
    17 – Une musique qui vient de Bali.
    18 – Singapour cette ville qui vient de la mer.
    19 – Au début ce fut la musique.
    20 – zimbabwe.
    21 – Karnataka – Inde du sud.
    22 – Quel est ton destin.

  6. lemaitre brice

    August 28, 2014 at 9:02 pm

    On February 22, 2015 i organize my second exposure 700 objects on Vangelis in northern France.
    In memory of Frédéric Rossif and Nico Papathanassiou.
    ( Forminx, Aphrodite’s Child, Vangelis and Frédéric Rossif, Jon and Vangelis, Irene Papas and Vangelis, Vangelis and Demis Roussos, Vangelis and Ridley Scott …).

    • peter smith

      September 15, 2014 at 8:56 pm

      Jon Anderson of YES also played on this album

  7. jorge iglesias

    September 17, 2014 at 7:11 am

    una obra de arte de disco, para la eternidad

  8. R-win

    September 23, 2014 at 9:46 pm

    What a surprise, thought I had heard all of Vangelis. Great. But Antarctica remains the best ever for me, gets you floating out of your mind (kind of ;-))

  9. Andrea

    September 23, 2014 at 10:02 pm

    Years ago and for several years, “Hymne” has been used by a Barilla commercial in Italy.
    Since then, it became the “Barilla song” for all Italian.
    It was the standard song played by anyone with a keyboard in front: even when the player didn’t know how to play music, that song was the first thing you would hear.

    I think that at one point, maybe that track got spoiled.
    Even today, it’s still called the “Barilla song” and almost nobody knows that is called “Hymne” or that is from Vangelis.
    Sad to write, but Vangelis, nowadays, is really little known in Italy, despite he did a lot for and in this country.

  10. Ente

    September 24, 2014 at 8:38 am

    This was my first Vangelis LP (vinyl), received in ’81 from my father. It marked my musical life forever, as I still remember now every note from its titles… ‘Reve’ is my favourite title, and I still use it as ‘atmosphere’ music, along with my wife…

  11. JL Vaquero

    December 28, 2014 at 9:47 pm

    Mi concepción de la realidad se debilita; cuando escucho esta música, y me recuerda que como nacido, no moriré…

  12. Jan T'Sas

    May 1, 2015 at 12:23 pm

    ‘Rêve’ has been with me since the album was released. I have come to consider it a metaphore for how (my) life has evolved, Yin and Yang combined. I can only be grateful such infinitely beautiful music has been made.

  13. Keith

    June 12, 2015 at 5:01 pm

    My wife chose Hymne to walk down the aisle at our wedding and Re’ve is one of my most favorite Vangelis tracks.

  14. Mohammad

    August 29, 2015 at 2:54 pm

    I have had the chance of watching it. I would like to name Vangelis as the Beethoven of our times full of innovation and the spiritual sounds he creates in his mind then represents them in the form of a unique music which only belongs to him.

  15. Suzana Falkone

    September 30, 2015 at 6:16 pm

    I CANT LISTEN THEY LAY TO ME THAT I HAVE SPOTIFY FRI 30 days VRAGOVI PLOT BLAGOSLOV !

  16. Réjean Desrosiers

    December 13, 2015 at 6:58 pm

    Une différence
    Un changement
    Une ouverture
    Pour l’aventure

    C’est à chaque fois
    C’est quand tu es sur une plage
    Une mer brille
    Au fond de tes yeux
    Et tout au long de ton corps
    C’est à chaque fois

    Une différence
    Un changement
    Une ouverture
    Pour l’aventure

    C’est reparti pour cette nuit
    C’est maintenant
    Et pas demain
    La Lune te réveille
    Te redonne les ailes
    Pour nager entre les étoiles

    Une différence
    Un changement
    Une ouverture
    Pour l’aventure

    Le mal est ailleurs
    Le bien est caché
    Les miens aussi
    En refermant mon souffle
    Tout autour de ton être
    Je ressens l’entièreté

    Une différence
    Un changement
    Une ouverture
    Pour l’aventure
    Et quand le vent souffle
    Tes cheveux s’unissent en cascade
    Elles déshabillent ton visage
    Il ne me reste qu’à te regarder
    À entendre tes pensées
    Entre chaque vague

    Une différence
    Un changement
    Une ouverture
    Pour l’aventure
    Une différence en direct
    Un changement qui s’avance
    Une ouverture pour un ciel
    Pour l’aventure qui se réveille

    Réjean Desrosiers © 2015 12 13 ☮ 001 / 20151213001

  17. Tomislav

    February 2, 2016 at 11:59 am

    “Sorry, we’re not available where you are. Leave your email to stay tuned for good news.”

  18. Juan

    April 13, 2016 at 10:04 pm

    An excerpt of l’enfant can be found on the 1982 Peter Weir film A year of living dangerously. Ufortunately, it’s not included on the OST.

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