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The song marked the emergence of Nat 'King' Cole's daughter as an exciting new jazz-soul talent in her own right.
Bruce's post-Cream solo debut promised and delivered much, by an artist not content to capitalise on his fame.
Charlie Parker was one of the most important figures in the development of jazz and in particular Bop.
Dinah Washington sang the blues, jazz, torch songs and just about every other kind of ballad with style and panache.
A towering achievement, ‘Go’ made saxophonist Dexter Gordon a bona fide jazz giant – and not just because of his towering physique.
Bossa Nova was the thing as the 60s got underway and Stan Getz's 'Big Band Bossa Nova' is a superb example of the "new wave".
Photographing the great jazz musicians both in public and private, William Gottlieb always managed to capture them with a truth others failed to achieve.
'6 8' is a highly individual cover of Gabriel Garzón-Montano's smoky ballad and it also features on Springs' new album 'Indigo'.
His fourth album for the iconic Blue Note label, ‘Expansions’ was an ambitious work that found pianist McCoy Tyner in brand new territory.
‘Don’t Worry, Be Happy’ made Bobby McFerrin a household name, while his ‘Simple Pleasures’ album was a high-water mark for vocal jazz.
Lying somewhere on the spectrum between avant-garde jazz and free jazz, astral jazz represented one of the most experimental periods in jazz’s history.
Sinatra’s Concert For The Americas performance was filmed for a TV special, confirming The Chairman as the master of spectacular, must-see events.
The New York Times described as this album "one of the great Ellington albums, one of the great Hawkins albums and one of the great albums of the 1960s"
On 15 August 1956 one of the jazz events of the decade took place, a concert that has been immortalised on record as Jazz at The Hollywood Bowl.
The Grammy-winning jazz pioneer’s month-long residency will span 24 nights.
