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Nearly two years after their split, the British trio were still a chart force to be reckoned with.
Many people mistake pop music as disposable. But from the blues to The Beatles, some of the most important artistic statements have been wrapped up in the world’s most popular songs.
Big Bill Broonzy was a giant of the 1930s urban blues, a giant of a man and someone that just about every other musician who met him respected.
Willie Dixon's composition was inspired by Esso Gasoline's popular advertising campaign.
With a titular track that’s recognized at first rift, Steve Miller Band's ‘Fly Like An Eagle’ stands the test of time as the epitome of 70s classic rock.
Who wrote the first ever blues song and what was the first ever recorded blues song? We dig deep to find out the fascinating history of recorded blues.
From the 20-year rule to stylistic homage and outright appropriation, nostalgia has always played a part in musical evolution, with even the most forward-thinking music looking to the past for inspiration.
With its roots in country tradition and punk attitude, Americana music is hard to define but easy to love. uDiscover Music dons a Nudie suit and goes in search of the Americana...
Little Walter single-handedly fashioned the stylistic approach for harmonica which has been emulated by virtually every blues harmonica player.
Twenty of the best Muddy Waters songs: legendary cuts from the blues legend who helped launch Chess Records and inspired The Rolling Stones.
An array of stunning Rolling Stones collaborations finds a band that have forged their own unique path sharing the spotlight with fellow musical legends.
Unquestionably, 'The Folk Singer' by Muddy Waters is one of the greatest blues albums ever recorded, but far too many have overlooked it.
Recorded in four days, The Rolling Stones’ debut album honoured the blues and introduced the band to America as “England’s newest hit makers”.
On 14 April 1951, the great bluesman hit the Billboard R&B chart with the song that he later said was his absolute favourite among all his recordings.
Chuck's review of new music for the punk fanzine Jet Lag in 1980 read like a bridge between cultures.
