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Witchcraft: The Come-Hither Songs Of Broadway Royalty Cy Coleman
June 14, 2025
‘Etcetera’: Why This Unsung Wayne Shorter Album Deserves More Ears
June 14, 2025
The Blues-Rock Guitar Sorcery Of The Great Rory Gallagher
June 14, 2025
‘They’ll Never Take Her Love From Me’: Hank Williams Flips B-Side To Hit
June 14, 2025
When The Chairman Took The Throne In Monte Carlo
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Derek And The Dominos’ Historic First Gig In London
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‘Yesterday’: The Story Behind The Beatles’ Song
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Fuiji Kaze Shares New Single, ‘Hachiko,’ Ahead Of Third LP
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The Who Set To Release ‘Live At The Oval 1971’
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Douglas McCarthy, Lead Singer of Nitzer Ebb, Dies At 58
June 13, 2025
Queen Release ‘Queen I’ In Dolby Atmos Audiophile Blu-ray
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LE SSERAFIM Announces Fourth Japanese Single, ‘DIFFERENT’
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Godsmack ‘1000HP’ Album Gets Vinyl Release
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‘Everyone Is Everybody Else’: A Staging Post For Barclay James Harvest
The progressive rock trailblazers’ fifth studio release was their first with producer Rodger Bain.
‘Ultraviolence’: How Lana Del Rey Revealed Her Killer New Direction
‘Crush’: How Stadium Heroes Bon Jovi Reclaimed The Rock Scene
‘Killing Is My Business… And Business Is Good!’: Megadeth’s Debut LP
‘Take Off Your Pants And Jacket’: Underneath blink-182’s Enticing Invitation
‘Pet Sounds’: The Beach Boys’ Masterpiece Explained
reDiscover Crowded House’s ‘Intriguer’
‘A Kind Of Hush’: Pray Silence For The Carpenters
The Full Story Behind R.E.M.’s ‘Fables Of The Reconstruction’
‘Some Girls’: ‘The Right Kind Of Chemistry’ For The Rolling Stones
‘Les And Mary’: Les Paul, Mary Ford, And A Match Made In Musical Heaven
‘Witness’: Why Katy Perry’s Transformation Was Impossible To Ignore
‘Elemental’: Tears For Fears’ Roland Orzabal Goes It Alone
‘Strictly Business’: Why EPMD’s Debut Album Is The Real Deal
Why Siouxsie And The Banshees’ ‘Juju’ Casts Such A Potent Spell
More reDiscovered Albums
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