Otis Williams, the sole surviving original member of the Temptations, is not just excited to be representing the legendary soul group’s legacy. He’s also motivated by the chance to bring it to yet another generation, with the group’s new album All The Time and a touring schedule that’s as busy as ever.
Williams has been talking to uDiscover about his unique role in the group, and about their return to recording with the new record, as well as the musical of their epic story, their new place in the Library of Congress and more. A spry 76 — “I try and take care of myself,” he says quietly — the man they call “Big Daddy” is as pivotal to the Temptations as ever, and delighted at the fresh impetus afforded by their first album for eight years.
“We hope everybody likes it so we can make everybody happy,” he says simply of All The Time, which features covers of hits by Sam Smith, Ed Sheeran, The Weeknd and others, as well as three new tracks. “Some of it is original,” he says. “We just go and try to record whatever songs we do to the best of our ability. That’s pretty much the same after all these years.
“I must say [that now] it’s a different approach for us as the Temps, because the way records are marketed and promoted now is vastly different from the way it was back then. We would do a record and Motown would release it to the R&B stations, then it would go pop. Now, they use social media to really start cranking it up. It’s a learning process [for us], but we always try to couple ourselves with great songs, great lyrical content and things that will stand the test of time.”
To anyone surprised to hear the group covering Sheeran’s ‘Thinking Out Loud’ or Smith’s ‘Stay With Me,’ Williams points out that the group have a long history of covers drawn from the popular mainstream. He cites The Temptations In A Mellow Mood, the original group’s 1967 album of pop standards, and 1995’s For Lovers Only, which followed a similar theme and “could have been a huge album.”
He says some of the newly-recorded material will join their set list as they continue to tour, nationally and internationally. “We’re blessed, I call it a blessed curse, of so many hits that we can never stray from not doing the hits that we’re known for,” he notes. “We only have 75, sometimes 90 minutes, so we have to really think about how to do it and not disrupt anything else, from ‘Treat Her Like A Lady’ to ‘My Girl’ to ‘Just My Imagination.’ We took ‘My Girl’ out of the set one time, years ago, and we should never do that.”
That Smokey Robinson composition reinforced its timeless appeal when it was
selected by the Library of Congress as one of 2018’s new additions to the National Recording Registry. “Man, I never would have imagined when we started back in ’61 or so, and then recorded ‘My Girl’ in ’64, that we would do a song that will no doubt outlive us all. The heights of [this recognition], that’s a milestone. It’s a blessing to have a song like that that the world has come to know and love.”
The singer is thrilled by the buzz around the new musical Ain’t Too Proud—The Life and Times of The Temptations, which last autumn became the highest-grossing production in the 50-year history of the Repertory Theatre in Berkeley, California.
The show plays at the Kennedy Centre in Washington, DC in June and July, then in August and September at the Ahmanson Theatre in Los Angeles and Toronto’s Princess of Wales Theatre in October. Its Broadway debut is anticipated when a New York theatre becomes available, a challenge currently facing several potential blockbuster musicals.
“It did fantastic business,” says Williams of the Berkeley run. “Hopefully it’ll do as much business as it did, if not better [this summer]. People seem to love it, and I was moved to tears when I saw it. I would look around and see the audience getting teary-eyed too. It’s not only about the music, it’s got some profoundness to it.”
In covering the group’s tragedies as well as its triumphs, the musical acknowledges the passing of the many great vocalists who served the collective Temptations cause. Williams observes of the February 2018 passing of one such, Dennis Edwards, by reflecting: “Even though we hadn’t performed together for a few years, he and I would call each other, just to check on each other, and he would let me know what he was going through.
“Now we can no longer do that, because he has made the transition. Naturally we had our disagreements and what have you, and there came a parting of the ways, but that didn’t [change] the love we had for one another.”
The modern-day Temps have shows booked through the rest of 2018 and well into next year, including their latest UK double-header with the Four Tops in November. “I love coming to England, and to London with all the wonderful stores,” says Otis. “I’m a shopaholic, I love clothes.
“The people there are just so fantastic, they love the whole history of Motown. They know a lot of things about the Temps and Motown that make me stop and go ‘I’ll be damned, you really have boned up on the history.’”
The heritage of those other Motown giants the Four Tops is similarly represented by one surviving original, Abdul ‘Duke’ Fakir. His longtime friend says they both sense their responsibility to their fallen friends very deeply.
“Duke and I are holding down the fort,” says Williams. “He does it for Levi, Lawrence and ‘Obie,’ and I do it for David, Eddie, Paul and Melvin. We carry on the love that those guys helped create.”
Purchase All The Time here.
Follow the official Temptations Best Of playlist.