The Greatest Jazz Guitar Albums

May 16, 2015

Jazz guitar, for some inexplicable reason, seems sometimes to lack the attention that it deserves.It may stem from the fact that back in the Big Band era the guitar was seen very much as part of the rhythm section, an instrument that accompanied and filled out the sound rather than take centre stage as a lead instrument. It was Charlie Christian who helped to take the instrument from side stage to centre stage, with his electric guitar playing, as a member of Benny Goodman's band. Christian's 'Solo Flight' recorded with Goodman's band in 1941 was a seminal moment for jazz guitar.

Prior to Christian it was Eddie Lange, a brilliant and sophisticated player, who helped to make the guitar more popular. Others like Freddie Green who played with Count Basie for decades and Lonnie Johnson who played with Louis Armstrong helped to initially popularise the guitar. In Europe Django Reinhardt played single line melodies that gave the instrument more visibility and he has been a huge influence on many that followed.

Fender made the first solid body electric guitar in 1948 and a few years later Gibson introduced their Les Paul. Many jazz guitarists in the 1950s, was well as later, played hollow body guitars, Tal Farlow was one and his fluid, single note, bop style guitar was a sensation. There was also Howard Roberts, Herb Ellis, Kenny Burrell and Barney Kessel who all combined bop and single note picking, with Burrell in particular combining blues with jazz. Jim Hall, who was classically trained, took jazz guitar in another direction and others like Pat Martino helped refine the style.

Then along came Wes Montgomery whose debut Riverside album in 1958 signalled a new dawn for jazz guitar. There is not a guitarist that has followed in the jazz idiom that has not been inspired and influenced by Wes, who tragically died relatively young at 45 years old in 1968.

In the 1960s the coming of rock took some guitarists from jazz to perhaps follow the more lucrative circuit for music loved by younger fans. Nevertheless rock inspired jazz guitarists like Larry Coryell and John McLaughlin created a fusion style that was a sensation. In their wake came musicians like Mike stern, John Scofield and Pat Metheny. Yet at the same time the acoustic guitar remained the instrument of choice for some including Joe Pass, Al DiMeola, Earl Klugh, Ralph Towner and a little later still, Acoustic Alchemy.

The influence of South American rhythms on jazz in the early 1960s was a significant spur to broaden the appeal of the genre to people who thought they didn't really like jazz…Getz/Gilberto was a groundbreaking album and prior to that Charlie Byrd's Jazz Samba. Brazilian guitarists, Antonio Carlos Jobim, Luiz Bonfa and Joao Gilberto have all proved a lasting inspiration.

While America has remained the jazz guitar hot house there are those from overseas that have become popular, including Hungarian, Gabor Szabo, Englishmen, Alan Holdsworth, Phillip Catherine and Martin Taylor, Italian, Antonio Forcione, and Frenchman, Bireli Lagrene.

We've put together a list of the 75 jazz guitar albums that we think are the greatest ever. There are musicians that we've included that you may never have heard of, but every one is worth exploring. To help you dig a little deeper we've put together a Spotify playlist of tracks featuring most of those on the list. You will find below our list, that as you will see is A to z rather than 1 to 75; it would have been just too hard to come up. We would love to hear your suggestions of who we may have missed.

Al Di Meola – Elegant Gypsy
Allan Holdsworth – Metal Fatigue
Andreas Varady - Andreas Varady
Antonio Carlos Jobim – Wave
Antonio Forcione - Ghetto Paradise
Axoustic Alchemy - Red Dust and Spanish Lace
Barney Kessel – The Poll Winners
Barney Kessel – To Swing Or Not To Swing
Bill Frisell – Have a Little Faith
Bireli Lagrene – Standards
Charlie Byrd – The Guitar Artistry of Charlie Byrd
Charlie Christian – Genius of the Electric Guitar
Charlie Haden/Pat Metheny – Beyond The Missouri Sky
Charlie Hunter – Bing Bing Bing
Django Reinhardt – Quintet du Hot Club de France
Earl Klugh – Two of a Kind
Ed Bickert – Live at The Garden Party
Eddie Lang – Jazz Guitar Virtuoso
Emily Remler – East To Wes
Gabor Szabo - Spellbinder
George Benson – Absolute Benson
George Benson – Breezin’
George Benson – Shape of Things To Come
Grant Green – Idle Moments
Grant Green – Matador
Herb Ellis - Nothing But The Blues
Herb Ellis/Joe Pass – Two for the Road
Howard Alden - Your Story, The Music of Bill Evans
Howard Roberts – Velvet Groove
James Vincent - Space Traveller
Jim Hall – Concierto
Jim Hall/Bill Evans – Intermodulation
Jimmy Raney – A
Joao Gilberto - Voz e Violao
Joe Pass – For Django
Joe Pass – Virtuoso
John Abercrombie – Timeless
John McLaughlin – Extrapolation
John Scofield – A Go Go
John Scofield – Uberjam
John Scofield/Pat Metheny – I can see Your House From Here
Johnny Smith – Moonligh in Vermont (w Stan Getz)
Julian Lage Group - Gladwell
Kenny Burrell – Asphalt Canyon Suite
Kenny Burrell – Midnight Blue
Kurt Rosenwinkel – Deep Song
Larry Carlton - Alone/But Never Alone
Larry Carlton – Last Nite
Larry Coryell (w John McLaughlin) – Spaces
Lee Ritenour – Wes Bound
Lee Ritenour 6 String Theory
Lenny Breau – Five O' Clock Bells
Luiz Bonfa – Solo in Rio 1959
Martin Taylor – Spirit of Django
Mike Stern – Standards (and Other Songs)
Norman Brown – After the Storm
Pat Martino – El Hombre
Pat Metheny – Bright Size Life
Pat Metheny – The Pat Metheny Group
Peter White – Caravan of Dreams
Phillip Catherine – Summer Night
Ralph Towner – Solo Concert
Robben Ford – Tiger Walk
Ronny Jordan – The Antidote
Rosenberg Trio – Caravan
Stanley Jordan – Stolen Moments
Steve Kahn – The Suitcase (Live)
Tal Farlow - Tal
Tal Farlow – The Swinging Guitar of Tal Farlow
Ted Greene – Solo Guitar
Tuck Andress – Reckless Precision
Wes Montgomery – Full House
Wes Montgomery – Smokin’ at the Half Note
Wes Montgomery – The Incredible Jazz Guitar of Wes Montgomery
Wes Montgomery/Jimmy Smith – Jimmy & Wes the Dynamic Duo

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  1. Dave Plotel

    Nice choices!…..but one album you left out was ‘jazz winds from a new direction’ with
    Hank Garland , Gary Burton etc. And I’m sure most jazz guitar players would agree.

    1. Gary

      Hank Garland’s Jazz Winds etc. Is a VERY important album. Also H.R. is a Dirty Guitar Player with Howard Roberts. Charlie Christian is the father of jazz guitar to me.

      1. Jim Greeninger

        Yes, Hank Garland’s Jazz Winds etc. Is a VERY important album. Also H.R. is a Dirty Guitar Player with Howard Roberts. Good choices.

  2. Chuck notris

    Glad you put Eddie lang in the list! Sadly he seems to be forgotten many times. He is the father of jazz guitar!

  3. Jory Kahn

    best Allan Holdsworth recording has to be the tony williams lifetime album Believe It. Pat Martino albums should be Footprints and Consciousness

  4. RobS

    I watched an extended video featuring BB King talking about his development as a guitarist. He said that Charlie Christian and Django Reinhardt had a large influence on his style, and he went into detail as what he found in their music. BB said that he played jazz music for his own entertainment.

  5. Bob L

    Hank Garland is a major omission. Still, a very interesting list. And thank you for remembering Emily Remler.

  6. Gary Kemp

    This is more a list of greatest guitarists, not the best albums. If it were genuine the latter, Wes Montgomery and Jim Hall would have many more albums.

  7. Andre

    Thanks for sharing this beautiful list. I do miss Egberto Gismonti in the first place. Additionally, I’d point out that Baden Powell and Laurindo Almeida are two significant omissions.

  8. -Jon

    Would really like to see “Sorcerer” by Gabor Szabo on there. Contains everything I like music on it, nevermind guitar! Great list!

  9. Darren

    Marc Antoine has put out several great CD’s in his young career. I love two of his arrangements in particular: Unity and Latin Quarter. It’s Brazilan Jazz that is loved by millions! One of my favorite artists!

  10. Joe Loop

    Cal Collins Should be on this list! His Album “Cincinnatti To LA.” as well as his paring with Herb Ellis seem to put him in this company.

  11. theodor

    Danny Gatton – Les Paul – Chet Atkins – Attila Zoller – Joe Puma – Chuck Wayne – Tal Farlow – Billy Butler – Jimmy Raney ?

  12. Roger Gough

    FULL HOUSE. Wes Montgomery. Live at the Tsubo Coffee House absolutely rocks. My all time favourite.

  13. gin_soaked_boy

    What, no Sonny Sharrock?!? Or even James “Blood” Ulmer or Derek Bailey? Seems certain strains of jazz guitar is not ok for this list, then. Oh well…

  14. Phil Townes

    Agreed: Van Eps “My Guitar” and Garland “Jazz Winds” should be there, and I would put a Les Paul & Mary Ford (for electronic pre-history), Chuck Wayne’s (awesomely original) “Traveling,” Burrell’s “Guitar Forms,” McLaughlin’s “My Goal’s Beyond,” Atkins and Paul “Chester and Lester,” Coryell’s “Eleventh House” and Gatton’s “Redneck Jazz Explosion” before some imitators. The list seems to neglect some of the monsters of old who inspired others.

  15. Harri

    This list is definitely a very subjective and narrow view to the long list of jazz guitarist. How could you possibly leave out Peter Bernstein, Louis Stewart, Carl Kress, Billy Bean and so many others !?

  16. Federico Dalla Grana

    What about Joe Diorio, Romero Lumambo, Joe Morris, Mary Halvorson ( with Jessica Pavone for example) Liberty Ellman, Rez Abbazi, Brandon Ross, Marc Ribot………………….!the list of forgotten jazz guitarist is getting more and more big!

  17. Buddy Raymond

    There cannot be a list of GREAT jazz guitarist that doesn’t have CHUCK WAYNE’s name within the top 5 spots. He was incredible ! And then there is … JOHN PISANO.

  18. Jerry Topinka

    I love the list of the Greatest Jazz Guitar Albums. All of them are and should be on the list. Just one player I think gets a little over looked. That player is Martin Taylor. I do see that one of his albums made the list, but there are so many other albums that Martin has made that should be on the list. I’ve been a professional guitarist all of my life and can say with out a doubt Martin has taken the jazz guitar to another level. Check out his solo albums.

  19. Jose A. Ortiz

    where is caravanserai by Carlos Santana and Neal Schon,Layla by Eric Clapton and D.allman,caldera with Jorge strunz,chicago one with terry kath,pat martino live,etc,etc,etc. excuse me but too many errrors in your list,probably you need to go to jazz and rock guitar 101. with this records and wes Montgomery,pat martino,grant green,george benson,kenny burrell,and some of the blues cats you probably can complete the list.

  20. Donald

    Howard Alden, Frank Vignola, — I see Martin Taylor is mentioned in a comment but he sure needs to be on any list of great jazz guitarists.
    There is duet album with George Van Eps and Howard Alden
    My favorite Lenny Breau album is “Standard Brands” with Chet Atkins

    Don’t forget Django’s great rival, Oscar Aleman there is a two compilation of his recording.

    Teddy Bunn in the Spirits of Rhythm was amazing. He also played with Duke Ellington and Lionel Hampton and a number of other well known jazz bands. He settled for many years with Louis Jordan. He played single notes with his thumb similar to how Wes did it.

    There are also a whole slew of gypsy jazz guitarists, musical descendents of Django Reinhardt: Bireli Lagrene, Jimmy Rosenburg, Joscho Stephan, Stochelo Rosenburg and many more.

  21. John

    Not strictly a jazz guitar compilation, and a bit too heavy on the fusion. Although DiMeola is a great player, he’s NOT a jazz player. Same with one of my favorites, Holdsworth. Glad to see Wes well represented, to me THE benchmark of what a jazz guitarist should aspire to. Glad to see some other jazz greats listed, but Pat Martino and Lenny Breau were seriously under represented and far more important to jazz guitar than some who were listed more than once or the non genre players.

    1. jase

      couldn’t agree more with you Sir!
      There were also some other comments that mentioned Chuck Wayne,among others..that I hadn’t thought of..

    2. jase

      couldn’t agree more with you Sir!
      There were also some comments by others that mentioned Chuck Wayne,Lenny Breau..among others that I hadn’t thought of..great comment!

    3. ballsack man

      al dimeola is not a jazz guitarist…wtf are you talking about. Do you have any idea what jazz is…no…thought so.

    4. J Rock

      @John – agree with you – if we eliminated jazz influenced rock players like Holdsworth from the list, we could include others who are more deserving, like Garland, Bruno, Breau

  22. jase

    Kudos on the list..I would have chose a lot of different records myself..but hey! That’s how the world works..
    …if I caould-
    Pat Martino-“We’ll Be Together Again”
    Howard Roberts-“H.R Is A Dirty Guitar Player” and “Turning To Spring”( A KILLER version of “Skylark” is on that)
    Charlie Hunter-“Return Of The Candyman”
    I might have included the Pizzarelli’s in lieu of some other entries..
    Jimmy Bruno “Live At Birdland”
    “The Sound Of The Johnny Smith Guitar”
    Tal’s “Chromatic Palette”
    Kenny’s “Tin Tin Deo”
    sorry for my bitching…hope you can forgive me..

  23. jason heatley

    Lenny Breau was brilliant ,and Oscar Aleman from Brazil some of his time said he was better than Django who he had met and performed with

  24. jason heatley

    Lenny Breau was brilliant ,and Oscar Aleman from Brazil some of his time said he was better than Django who he had met and performed with.

  25. rodrigo

    From Australia the great jazz guitariat James Muller recorded the album Kaboom that should be part of this list for sure …

  26. Len Perry

    Not mentioned at all is one the most creative jazz guitarist ever. Little known by the general jazz guitar public, but highly respected by all the great jazz guitar players. Truly innovative and one of the most musical guitar players ever. His name is Mick Goodrick. Give him a listen. He presently teaches at Breklee College of Music. Played with Gary Burton and many others.

  27. johnny ballsack

    the fact that baden powell is not on here…honestly indicated that you dont listen to enough music

  28. Rafael Jorge Armiñana Romeu

    Ante todo, Gracias, gracias a todos y cada uno de los músicos que forman parte de su lista, y a otros tantos que no aparecen, a todos Gracias infinítas por hacernos la vida más dulce y fácil. A mi me cuesta quedarme con uno solo de estos artistas..,puesto que se quedó fuera de la lista GRANT GREEN JUNIOR y su increible INTRODUCING,, y otro de mis inolvidables PACO DE LUCIA, y es que creo que es imposible hacer una lista perfecta…pero de todos los que hay en la lista , voy a elegir el de LEE RITENOUR, 6 STRING THEORY, por la cantidad y calidad de los artistas que participan en este genial album…

    1. Gustaf Sterne

      Nej, nej och åter nej. Ulf har typ har några chops som han använder och dom går snabbt men han kommer inte ens i närheten av den här listan. Du kan verkligen jämställa Ulf Wakenius och Joe Pass. Helt ärligt det enda bra jag har hört med Ulf är när han kör en tributeplatte för Esbjörn och det är bra för att Esbjörns låtar. Och ja, jag har lyssnat både på pass och Uffe.
      Bara för att man använder pentan snabbt är man inte en bra jazzgitarrist.
      Rune Gustafsson har mer att säga till om i så fall!

  29. Orson van Shipley

    A Great Idea To Share Lists & Compile A Further Collection
    Jim Bruno – Album: Into The Blue Light
    Joshua Breakstone – Walk Don’t Run
    Charlie Hunter – Pound For Pound Return Of The Candy Man (w Stephon Harris)
    Eric Gale – Moonstreams ( On Grover Washington’s ‘Feel So Good’ Album)
    Steve Khan – God & Astronauts (On Gato Barbieri’s ‘Euphoria’ Album)
    John Tropea – All Solos (On Deodato ‘Prelude’ & Deodato 2 Albums)

  30. Peter Lundvall

    I think You have missed Friday night in San Fransisco with di Meola, de Lucia and McLaughlin and something older with Charlie Christian

  31. RK

    This is just a list of commercially successful guitarists’ albums some of whom have deservedly passed the test of time. That very nature means that sales are more important than musicianship and the importance of listening and learning. You cannot make a list of “greatest” guitar albums without even considering Gene Bertoncini. There are many others. Just because they are independent releases doesn’t mean the cult of listeners does not consider them less important than the list you have.

  32. Lufe Lima

    Jobim could play guitar, flute and a few other things, but his instrument was the piano. In addition, he died insisting that Bossa Nova was inspired, not by jazz, but by Afro-Brazilian rhythms and French Impressionism.

  33. theludi

    Everyone always overlooks the great Baden Powell. He is a far more versatile and accomplished player than gilberto (although i adore his work and his playing). Any number of his albums is more than worthy to be on this list.

  34. Paul

    Nice selection…I would add guitarists Ed Cherry and Eric Johnson (the Jazz not rock guitarist) to the list. Also, I think “Feeling the Spirit” by Grant Green should be listed because of the connection between the church and jazz. Thank you for listing these I don’t have some of them I’ll have to give them a listen

  35. Just Bill

    No Blow By Blow or Wired by Jeff Beck, but you include Tiger Walk by Robben Ford?

    Then there are the country guys who play outstanding jazz: Hank Garland and Jimmy Bryant

    Not to mention the Les Paul/Chet Atkin duet albums

  36. Jorge

    3 albums that could make it into the list:
    “saturday night in San Francisco” – Paco de Lucia, Al di Meola, John McLaughlin
    disfarmer > Bill Frisell
    Ana > Ralph Towner

  37. Dan

    You need something of Joe Becks on here. How about “Empathy” w Red Mitchell. And don’t forget one of the most influential jazz guitar albums of the last 50 years
    “The Guitar Album : Historic Town Hall Concert featuring 7 of the World’s Greatest Guitarists.”

  38. Daniel

    Here (Argentina) there are others greats players like Luis Salinas, Valentino (play fingerpicking like your hero Wes Motgomery) and others onli for call two.

  39. Dan_Aus

    I don’t mind the young Andreas Varady at all, but I reckon it’s a bit too much for him to be on this list (as of now.)

    1. J Rock

      Agree! Varady may well be remembered someday as one of the great -someday! Does not belong on the list when far more important players – Stochelo Rosenberg, Jimmy Bruno etal.

  40. Dan_Aus

    The list would need to make a distinction between performers and composers, as well. There’s a difference between (just) playing guitar and making music.

  41. Fernando (Argentina)

    Oscar Aleman (Argentina)
    Egberto Gismonti (Brasil – monster in piano too)
    Luis Bonfa (Br)
    Baden Powell (Br)
    Joao Gilberto (Br) – these last 3 more on the Bossa Nova / Samba side
    Ralph Towner
    John Abercrombie
    Charlie Christian
    Jimmy Raney
    Friday night in San Francisco (Di Meola – De Lucia – McLaughin)
    Tal Farlow’s performance in Oscar Pettiford sextet in Paris 1954.
    If Intermodulation (Evans – Hall) , Undercurrent is even better

  42. Fermin Flores

    Where are “the sixteen men of tain”? and “none too soon”? probably the two most jazzy albums of allan holdsworth

  43. Robert Jensen

    Laurindo Almeida is an outstanding guitarist but rather limited in his style; besides, he doesn’t swing !

  44. Paolo

    This list would be funny if it weren’t so sad. Whoever put it together has very limited and pervert knowledge of jazz guitar

  45. Dan Laubler

    You should add the following to the list. A must have forvany jazz guitarist

    The Guitar Album : Historic Town Hall Concert featuring 7 of the World’s Greatest Guitarists

  46. walter blount

    All “Best Of” lists are of course subjective. I would have liked to have seen Mundell Lowe, Sonny Sharrock , Jamaaludeen Tacoma and Carlos Santana (for his work with Alice Coltrane and Leon Thomas)

  47. Jack Hammer

    Holdsworth not a jazz player? Only a tone deaf, “butter churner” idiot could possibly think this and this kind of anti-thought is precisely why he recently died penniless. Not only was he a jazz player he was on such a high level compared to ANYONE ON THIS LIST that it’s almost not worth mentioning. He represents the epitome of the spirit of what jazz music is really all about….. that being improvisation! There are different genres of jazz but it’s about playing over changes. Period. Every other player on this list and there are some great ones are playing pre thought out “licks” that sound stale and contrived in comparison. The only reason you would call him a rock player is because his guitar is distorted. Which of course simply means you don’t know what the hell you’re talking about. Pro tip: listen to the actual pitches he produced over chord changes. Imagine that…. Coltrane of the guitar.

  48. Dick Pountain

    Another Bill Frisell: Good Dog, Happy Man
    Another Charlie Hunter: Everyone Has A Plan Until They Get Punched In The Mouth

  49. James Pasola

    Nice list! I would add 2 of my favorites to the Joe Pass list, George, Ira, & Joe….and Joy Spring. Kenny Burrell really shone with Coltrane and also brought out the best in Trane on that album. There are a few more Brazilians of note, Baden Powell & Laurindo Almeada for instance.

  50. Celan

    Why are you making posts making it appear that the late Ornette Coleman AND Blue Note records have anuthing at all to do with your idiotic lists? Posting something in the name of someone who’s dead is incredibly arrogant arrogant of you and also sjows no respect for the dead.

  51. Gustaf Sterne

    Kurt Rosenwinkel should have more album on this list. He´s the new Pat. In the 80 Everybody wanted too play like pat. Kurt Rosenwinkel also. Now everybody want´s too play like Kurt. And don´t forget all that he has played with. Kurt Needs more love!

  52. Delbert Walling

    I feel George Barnes needs to be listed here. He was such an inventive guitarist and fabulous musician and he had one of the most recognizable sounds in jazz! He inspired everyone that ever heard him play!

  53. Scott Hedegard

    It’s nice to know there are a lot of jazz guitar aficionados out there to discuss and cuss about their love of the best jazz music there is, but being a guitar player who had let myself get away from it for a long time and now am trying to get back in since my retirement at the first of the year, I had started listening to and buying more jazz guitar albums and I love it. Jazz is beautiful, along with blues so truly American, but I will always prefer combos with a guitar player. Not that other groups without guitarists can’t be great, it’s just a personal preference. I can’t definitively declare the “best” any more than anybody else, and my list needs some growing, but I make room for lots of music from jazz to blues to rock, and even the heaviest metal.
    Here’s a few jazz players who are so important to me:
    Lonnie Johnson He was playing lead work in the late ’20’s along with Eddie Lang. Due to the racism of the day, Lang had to appear sometimes on records under a pseudonym because many people wouldn’t tolerate his playing with an African American. Sad.
    Charlie Christian Invented lead electric playing as we know it. Benny Goodman was one jammin’ dude and his music was better than other big bands of his era. Maybe only the great R & B pioneer Louis Jordan was his biggest competition, along with the great Duke Ellington. Look for “Genius Of The Electric Guitar” if you can find it. Absolutely indispensable.
    Kenny Burrell Nobody mixed jazz and blues any better than Kenny Burrell, and his work has remained stellar until this day, where he has recorded live gigs at 85 years old and still blows minds. He truly is an American music legend.
    Chet Atkins He could do anything he wanted, and handled jazz beautifully, especially on songs like “So Rare”. The best overall guitarist of all time.
    Wes Montgomery Anybody who places any player above Montgomery as far as pure jazz playing goes is a fool. No jazz player was more influential, and nobody was as innovative and brilliant in octave picking and advanced chord comping. Listen to the live “Impressions” at the tail end of the “In The Beginning” double album, and prepare to be humiliated.
    Grant Green He favored single lead playing and while he could and did rhythm work, he preferred combos with great players like Sonny Wilson, Larry Young and Elvin Jones, and played solos that were compositions in their own right – tasteful, beautiful tone, and always in the right place at the right time, at least his 1960’s work.
    Jimi Hendrix I submit his duo with Larry Young on the jam “Young/Hendrix” from the out of print “Nine To The Universe”. There is a longer version on a four volume set that goes on well over 20 minutes, but even the 10 minutes here is pure magic as Young and Hendrix create a jam that somehow fuses jazz, blues, and rock like nobody ever did before or since. It is pure transcendence. Hendrix acolytes often muse whether the legend may have gone into a jazz direction, as he was at least talking to Miles Davis not long before his death.
    Jeff Beck His rock/jazz fusion work on “Blow By Blow” and “Wired” alone qualifies him as one of the great all around players.
    Danny Gatton This incredible genius who tragically committed suicide in 1994 was the only real competition to Chet Atkins in terms of being brilliant in all styles, rockabilly, blues, jazz and bluegrass/country without the hoke. He did two full blown jazz albums that are must haves: “New York Stories”, where he joined up with great players Bobby Watson, Yuron Israel, Roy Hargroves, and Josh Redman for an astonishing set of originals that remains one of the greatest jazz albums ever recorded, and “Relentless”, his last studio album where he paired up with Hammond B-3 wizard Joey Defrancesco for a set that more than lives up to the title.
    Jimmy Bruno He’s new to my collection, but I like his ability to burn and take it easy where he needs to. His album with another late great player, Joe Beck, “Polarity” is astonishingly brilliant. He also did an album “Like That” with Defrancesco two years after the death of Danny Gatton.
    Russell Malone Elegance abounds as this great player uses some of the most mellow tones ever to lull the listener into a beautiful place of melody and grace.

    Yes, there’s lots of others, but I’ll get around to some of them with time. Not too much in the fusion stuff – some of it got too proggy for my tastes.

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